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Donate The American Musicological Society is pleased to announce the recipients of the Society’s 2026 travel and research grants. We congratulate the recipients and wish them best of luck in pursuing their research.
Daniel Bennett Page
Janet Levy Fund
Project Title: The Apocalyptic Motets of John Mundy (1555–1630) and late-Elizabethan Catholicism
Veronica Arntz
Eugene K. Wolf Travel Fund
Project Title: Between Creativity and Uniformity: The Liturgical Life of Marienberg bei Helmstedt in its Visual, Material, and Spatial Context, 1176–1570
Ceyda Cekmeci
Jan LaRue Travel Fund and the Eugene K. Wolf Travel Fund
Project Title: Sounding Authoritarian Populism: The Aesthetic Life of Power in Contemporary Turkey
Pheonix Collins
M. Elizabeth C. Bartlet Fund
Project Title: Cosmopolitan Sounds: A Musical History of the Suez Canal
Federico Ercoli
M. Elizabeth C. Bartlet Fund
Project Title: Recursive Birds: Avian Materiality and the Eighteenth-Century French Harpsichord
Emily Eubanks
Virginia & George Bozarth Fund
Project Title: The Soundscape of Austrian Identity: Performances in Caroline Pichler’s Early Nineteenth-Century Salon
Ana Uribe Law
Harold Powers World Travel Fund
Project Title: Latinidad in/and U.S. Opera in the Twenty-First Century
Fang Liu
Audible Equality, Uneven Afterlives: Women’s Maoist Musical Performance and Postwar Lives in Nepal
Project Title: Harold Powers World Travel Fund
Soren Nyhus
Elliott Antokoletz Fund, the Ora Frishberg Saloman Fund, and the Eugene K. Wolf Travel Fund
Project Title: Musical Enchantment and the Politics of Presence in the German Jugendmusikbewegung, 1917-1933
Yishai Rubin
Harold Powers World Travel Fund
Project Title: Music In and Around Jewish Communities in the Northern Rhineland, 1750–1815
Matteo Sammartano
M. Elizabeth C. Bartlet Fund
Project Title: Music, Hunting, and the Human-Animal Boundary in Seventeenth Century France
Benjamin Skoronski
H. Robert Cohen/RIPM Fund
Project Title: The Strange Case of Dr. Seeger and Mr. Sands: Revolutionary Music Criticism and American Folk Music in the Daily Worker, 1934–35
Gasira Timir
M. Elizabeth C. Bartlet Fund
Project Title: George E. Lewis’ Invisible Hand
Onur Yildiz
M. Elizabeth C. Bartlet Fund
Project Title: Audio-Visual Encounters: Voice, Media, and Psyche in 20th-Century France
