| AMS Studies in Music |
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The American Musicological Society, in collaboration with Oxford University Press, is pleased to sponsor the series AMS Studies in Music. This series seeks to support and promote outstanding and innovative musicological scholarship drawn from the widest possible range of perspectives and areas of inquiry that will appeal to a broad scholarly audience. Submissions that explore musical issues from any historical, theoretical, or ethnomusicological perspective are welcome. All books receive a subsidy from the AMS. Authors should submit a detailed proposal explaining the substance and importance of their work, the content of each chapter, the current status of the study, and a projected date for completion of the manuscript. Along with the proposal they should also submit one or more sample chapters. An electronic copy of the proposal and sample chapters should be sent to:
Editorial Board: The AMS Publications Committee serves as Editorial Board for the series. Financial support for AMS Studies is provided by the National Endowment for the Humanities, the Andrew W. Mellon Foundation, The Gladys Kriebel Delmas Foundation, and the generous contributions of many individual donors. See these books at the Oxford University Press web site Exclusively from Oxford University Press: AMS members receive 30% discount on AMS Studies volumes. Click here to take advantage of this offer. Volumes Matthew Gelbart, Musical Genre and Romantic Ideology Belonging in the Age of Originality, Oxford University Press, 2022. (AMS Studies, 22) ISBN 9780190646929.  Emily Zazulia, Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing, Oxford University Press, 2021. (AMS Studies, 21) ISBN 9780197551912.  Katharine Ellis, French Musical Life: Local Dynamics in the Century to World War II, Oxford University Press, 2021. (AMS Studies, 20) ISBN 9780197600160.  Jennifer Walker, Sacred Sounds, Secular Spaces: Transforming Catholicism Through the Music of Third-Republic Paris, Oxford University Press, 2021. (AMS Studies, 19) ISBN 9780197578056.  Braxton D. Shelley, Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination, Oxford University Press, 2021. (AMS Studies, 18) ISBN 9780197566466.  Adalyat Issiyeva, Representing Russia’s Orient: From Ethnography to Art Song, Oxford University Press, 2020. (AMS Studies, 17) ISBN 9780190051365.  Rebecca Maloy, Songs of Sacrifice: Chant, Identity, and Christian Formation in Early Medieval Iberia, Oxford University Press, 2020. (AMS Studies, 16) ISBN 9780190071530.  Margaret Notley, “Taken by the Devil”: The Censorship of Frank Wedekind and Alban Berg’s Lulu, Oxford University Press, 2019. (AMS Studies, 15) ISBN 9780190069865.  Mark Ferraguto, Beethoven 1806, Oxford University Press, 2019. (AMS Studies, 14) ISBN 9780190947187.  Katherine Preston, Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America, Oxford University Press, 2017. (AMS Studies, 13) ISBN 9780199371655.  Paul Berry, Brahms Among Friends: Listening, Performance, and the Rhetoric of Allusion, Oxford University Press, 2014. (AMS Studies, 12) ISBN 9780199982646.  Joshua S. Walden, Sounding Authentic: The Rural Miniature and Musical Modernism, Oxford University Press, 2014. (AMS Studies, 11) ISBN 9780199334667.  Gurminder Kaur Bhogal, Details of Consequence: Ornament, Music, and Art in Paris, Oxford University Press, 2013. (AMS Studies, 10) ISBN 9780199795055.  Jesse Rodin, Josquin’s Rome: Hearing and Composing in the Sistine Chapel, Oxford University Press, 2012. (AMS Studies, 9) ISBN 9780199844302.  Marc Benamou, Rasa: Affect and Intuition in Javanese Musical Aesthetics, Oxford University Press, 2010. (AMS Studies, 8) ISBN: 9780195189438.  Hilary Poriss, Changing the Score: Arias, Prima Donnas, and the Authority of Performance, Oxford University Press, 2009. (AMS Studies, 7) ISBN: 9780195386714.  Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music, Oxford University Press, 2009. (AMS Studies, 6) ISBN 9780195148886.  Philip V. Bohlman, Jewish Music and Modernity, Oxford University Press, 2008. (AMS Studies, 5) ISBN 9780195178326.  Kevin Karnes, Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth Century Vienna, Oxford University Press, 2008. (AMS Studies, 4). ISBN 9780195368666.  Margaret Notley, Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism, Oxford University Press, 2006. (AMS Studies, 3) ISBN 0195305477.  Beth L. Glixon and Jonathan E. Glixon, Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice, Oxford University Press, 2005. (AMS Studies, 2) ISBN 0195154169.  Lawrence Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis, Oxford University Press, 2002. (AMS Studies, 1) ISBN 9780195140231.  Graeme Boone, Patterns in Play: A Model for Text Setting in the Early French Songs of Guillaume Dufay, University of Nebraska Press, 1999. (AMS Monographs, 1) ISBN 9780803212350. |
11/26/2024Antonia Banducci, 1945–2024
11/19/20242024 AMS Honorary Members
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