The American Musicological Society and the Music Division of the Library of Congress are pleased to present a series of lectures highlighting musicological research conducted in the Division’s collections.
Marta Robertson (Gettysburg College), “The Uncommon 'Gift to be Simple’: Japanese American Influence in Appalachian Spring
Introduced by Karen Ahlqust, Professor Emerita, George Washington University
Click here for more information.
Click here for information on previous lectures, including links to the webcasts:
- Fall 2019: John Koegel (California State University, Fullerton), “Recovering the History of the U.S. Immigrant Musical Theater at the Library of Congress
- Spring 2019: Katherine K. Preston (College of William and Mary), "America’s Forgotten Love Affair with Opera"
- Fall 2018: Hye-jung Park (Ohio State University), "From World War to Cold War: Music in America's Radio Propaganda in Korea"
- Spring 2018: Daniel M. Callahan (Boston College), "Bernstein Conducting Himself"
- Fall 2017: Randall Goldberg (Youngstown State University), "The Kishineff Massacre and Domestic Musical Practice in America"
- Spring 2017: Christina Bashford, William Brooks, Gayle Sherwood Magee, Laurie Matheson, and Justin Vickers, "Johnnies, Tommies, and Sammies: Music and the WWI Alliance"
- Fall 2016: Dominic McHugh, "In the Workshop of Lerner and Loewe: Archival Sources for the Genesis of My Fair Lady"
- Spring 2016: R. Larry Todd, “Revisiting Mendelssohn’s Octet, or the Maturing of Precocity”
- Fall 2015: Ryan Raul Bañagale, "The Ongoing Composition of Rhapsody in Blue"
- Spring 2015: Paul Laird, "'A Hint of West Side Story': The Genesis of Bernstein's Chichester Psalms as Seen in the Library of Congress Bernstein Collection"
- Fall 2014: Carol Hess, "Copland as Good Neighbor: Cultural Diplomacy in Latin America During World War II"
- Spring 2014: Nancy Newman, "'A program not greatly to their credit': Finding New Perspectives on the Germania Musical Society through the American Memory Sheet Music Collection"
- Fall 2013: Kendra Preston Leonard, "Meaning and Myth in Louise Talma’s First Period Works"
- Spring 2013: Todd Decker, "Making Show Boat: Jerome Kern, Oscar Hammerstein II, and the Power of Performers"
- Fall 2012: Barbara Heyman, "Samuel Barber: Serendipitous Discoveries"
- Spring 2012: Thomas Brothers, "Louis Armstrong: The Making of a Great Melodist"
- Fall 2011: William Meredith, "What the Autograph Can Tell Us:
Beethoven’s Sonata in E Major, opus 109"
- Winter 2011: Carol J. Oja, "Bernstein Meets Broadway:
Race, the Blues, and On the Town (1944)"
- Fall 2010: W. Anthony Sheppard, "American Musical Modernism and Japan"
- Spring 2010: Steve Swayne, "William Schuman’s Puzzling Seventh Symphony"
- Fall 2009: Walter Frisch, "Arnold Schoenberg's Creative Journey, 1897-1912"
- Spring 2009: Jeffrey Magee, "Now It Can Be Told: The Unknown Irving Berlin"
- Fall 2008: Annegret Fauser, "After Pearl Harbor: Music, War, and the Library of Congress"
- Spring 2008: Judith Tick, "Ruth Crawford Seeger, Modernist Composer in the Folk Revival: Biography as Music History”
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