The Noah Greenberg Award Winners

RECIPIENTS

2020	Yolanda Plumley, Anne Stone and The Orlando Consort “The Digital Remede de Fortune”
2019	Robert Crowe and Joachim Enders “The Art of the Romantic Castrato: ornamented songs and arias of the last operatic castrato, Giambattista Velluti”
2018	Rebecca Cypess “Sisters, Face to Face: The Bach Legacy in Women’s Hands”
2017	JoAnn Taricani An Antidote against Melancholy (1661): Soundscape for a Coronation
2016	Laurie Stras Musica Secreta recording: motets associated with convent of Corpus Domini, Ferrara
2015	Jessie Ann Owens and Blue Heron World Premiere Recording of Cipriano de Rore’s I madrigali a cinque voci
2014	Anthony Cummings Collaboration with ensemble “La Morra” on compact disc recording, The Lion’s Ear
2013	Julia Dokter “Recording of Matthias Weckmann’s Free Works for Organ: A Practical Application of Tactus and Tempo Research”
2012	Lori Kruckenberg, Michael Alan Anderson, and the Schola Antiqua of Chicago “Sounding the Neumatized Sequence”
2011	Philip V. Bohlman and the New Budapest Orpheum Society Representing the Holocaust, Resounding Terezín
2010	Jesse Rodin and Cut Circle “Josquin’s Rome: Hearing and Composing in the Sistine Chapel”
2009	Liber: Ensemble for Early Music Recording Previously Unrecorded Repertoire of the Trecento
2008	Adam Knight Gilbert Fifteenth-Century Counterpoint and Improvisation
2007	Elisabeth Le Guin Audience Performance Practice: A Pilot Project
2006	Christopher Wolverton (Vox Early Music Ensemble) and Honey Meconi (University of Rochester) Extreme Singing: Very Low Music of the Renaissance
2005	Catherine Gordon-Seifert, Elisabeth Belgrano, and Stephen Stubbs The Lyric Art of Bénigne de Bacilly From Drinking Songs to Spiritual Airs
2004	Philip Cave and Sally Dunkley Honour, Glory, Light of Flanders: The Music of Philippe Rogier
2003	Christopher Stembridge Complete Edition of the Keyboard Works of Girolamo Frescobaldi
2002	Maria I. Rose Nineteenth-Century Piano Recording Project
2001	Talisman CD: “Music of Russian Princesses From the Court of Catherine the Great”
2000	Steven Zohn and The Publick Music Music for a Mixed Taste. First Recordings of Telemann's Early Trios
1999	Victor Coelho and the Complesso Barocco, Alan Curtis, Director The 1608 Florentine Intermedi: Music for the Wedding of Cosimo II Medici and Maria Maddalena of Austria
1998	Musicians of the Old Post Road CD: “Trios and Scottish Song Settings of J. N. Hummel”
1997	Kate van Orden and The King’s Noyse Collaborative series of concerts and recording of voix de ville from Renaissance Paris
1996	Louise Stein Series of performances and recording of Tomás de Torrejón Velasco, La purpura de la rosa
1996	Jeanice Brooks and Daniel Leech-Wilkinson Performance workshops and concerts by the Orlando Consort and Musica Secreta, Twenty-Third International Conference of Medieval and Renaissance Music, Southampton, 1996
1995	Jeannette Sorrell and Apollo’s Fire Reconstruction of American Music in the Federalist Period
1994	Frederick Gable Hamburg Gertrudenmusic of 1607
1993	Richard G. King Editing and Recording of Eighteenth-century Dutch music for the Viola da Gamba
1992	Alexander Blachly Recording of the Sacred Works of Antoine Busnoys
1991	Kristin Thelander Recording of Early-Nineteenth Century Music for Natural Horn and Pianoforte
1990	D.C. Hall’s New Concert and Quadrille Band, directed by Peter Bloom Recording of Concert Music from Mid-Nineteenth-Century America
1990	Juliane Baird Recording of Three Cantatas of Johann Adolf Hasse
1989	Linda Kobler Recording of early Italian Seventeenth-Century Harpsichord Works by Giovanni Picchi, Bernardo Storace, Michelangelo Rossi, Gregorio Strozzi (four works previously unrecorded)
1988	Robert Stephen Hill Recording of Neglected Early J.S. Bach Keyboard Works
1987	Peter Urquhart Canon in the Music of Josquin Desprez
1986	Evan Johnson Mystery Sonatas of Heinrich Franz Biber, Performance and Recording
1985	Boston Renaissance Ensemble Program of late Fifteenth- and early Sixteenth-century music in collaboration with Andrea von Ram
1985	John Hajdu Performance and recording of two motets by Lully planned to coincide with Lully’s tercentenary
1984	No Award
1983	Mary Cyr and Frederick Stoltzfus Recording of six cantatas by Buxtehude
1982	Spencer Carroll Video production of Roman de Fauvel
1981	Maria Fowler Production of Guillaume de Dole
1981	Timothy Aarset Book: The Art of Improvisation in Renaissance Music: Ensemble Polyphony in the Franco-Flemish Tradition, 1480–1550
1980	Philip Brett Performances of Peri, Euridice, and Monteverdi, Orfeo (1980); recording of portions of Byrd, Gradualia
1980	Ross W. Duffin Edition of Dufay chansons (Ogni Sorte editions)
1979	John Hajdu Recording of Jean Gilles, Messe de morts
1978	Richard Taruskin Recording of Ockeghem, Missa Prolationum

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RECIPIENTS