Panayotis League, Echoes of the Great Catastrophe: Re-Sounding Anatolian Greekness in Diaspora. University of Michigan Press. ISBN 9780472132683.

Daniel Bishop, The Presence of the Past: Temporal Experience and the New Hollywood Soundtrack. Oxford University Press. ISBN 9780190932688.

Andrés Espinoza Agurto, Salsa Consciente: Politics, Poetics, and Latinidad in the Meta-Barrio. Michigan State University Press. ISBN 9781611864014.

Siv B. Lie, Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France. University of Chicago Press. ISBN 9780226810812. Also supported by the James R. Anthony Endowment.

Francesca Vella, Networking Operatic Italy. University of Chicago Press. ISBN 9780226815701.

Shana Goldin-Perschbacher, Queer Country. University of Illinois Press. ISBN 9780252044267.

James O'Leary, Exit Right: Broadway and America's Hidden Avant-Garde. Oxford University Press.

Alexandra Apolloni, Freedom Girls: Voicing Femininity in 1960s British Pop. Oxford University Press.

Gavin Williams, Shellac as Musical Plastic. Journal of the American Musicological Society.

Kira Thurman, Singing like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms. Cornell University Press. ISBN 9781501759840.

Kimberly Hannon Teal, Jazz Places: How Performance Spaces Shape Jazz History. University of California Press. ISBN 9780520303713.

Adeline Mueller, Mozart and the Mediation of Childhood. University of Chicago Press. ISBN 9780226629667.

Martha Sprigge, Socialist Laments: Musical Mourning in the German Democratic Republic. Oxford University Press. ISBN 9780197546321.

Eric Sean Crawford, Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands. University of South Carolina Press. ISBN 9781643361901.

Amy Cimini, Wild Sound: Maryanne Amacher and the Tenses of Audible Life. Oxford University Press. ISBN 9780190060893. Also supported by the Claire and Barry Brook Fund Endowment.

Sophie Redfern, Bernstein and Robbins: The Early Ballets. University of Rochester Press. ISBN 9781648250057.

Micaela Baranello, The Operetta Empire: Music Theater in Early Twentieth-Century Vienna. University of California Press. ISBN 9780520379121.

Rebecca Dirksen, After the Dance, the Drums are Heavy: Carnival, Politics, and Musical Engagement in Haiti. Oxford University Press. ISBN 9780190928063.

Julia Doe, The Comedians of the King: "Opéra Comique" and the Bourbon Monarchy on the Eve of Revolution. University of Chicago Press. ISBN 9780226743257. Also supported by the James R. Anthony Fund Endowment

Ryan Dohoney, Saving Abstraction: Morton Feldman, the de Menils, and the Rothko Chapel. Oxford University Press. ISBN 9780190948573.

Mark Ferraguto, Beethoven 1806. Oxford University Press. ISBN 9780190947187.

Jessie Fillerup, Magician of Sound: Ravel and the Aesthetics of Illusion. University of California Press. ISBN 9780520379886.

K.E. Goldschmitt, Bossa Mundo: Brazilian Music in Transnational Media Industries. Oxford University Press. ISBN 9780190923525.

Glenda Goodman, Cultivated by Hand: Labor, Gender, and Amateur Musicians in the New American Republic. Oxford University Press. ISBN 9780190884901.

Bonny H. Miller, Augusta Browne: Composer and Woman of Letters in Nineteenth-Century America. University of Rochester Press. ISBN 9781580469722.

Emily Richmond Pollock, Opera After the Zero Hour: The Problem of Tradition and the Possibility of Renewal in West Germany, 1945–1965. Oxford University Press. ISBN 9780190063733.

Elliott H. Powell, Sounds from the Other Side: Afro–South Asian Collaborations in Black Popular Music. University of Minnesota Press. ISBN 9781517910044.

Anne Searcy, Ballet in the Cold War: A Soviet-American Exchange. Oxford University Press. ISBN 9780190945107.

Robert Wannamaker, The Music of James Tenney: Volume 1: Contexts and Paradigms. University of Illinois Press. ISBN 9780252043673.

Tracy McMullen, Haunthenticity: Musical Replay and the Fear of the Real Wesleyan University Press. ISBN 9780819578525.

Matthew Mugmon, Aaron Copland and the American Legacy of Gustav Mahler. University of Rochester Press. ISBN 9781580469647.

Abby Anderton, Rubble Music: Occupying the Ruins of Postwar Berlin, 1945-1950. Indiana University Press. ISBN 9780253042439.

Melissa D. Burrage, The Karl Muck Scandal: Classical Music and Xenophobia in World War I America. University of Rochester Press. ISBN 9781580469500.

Marianna Ritchey, Composing Capital: Classical Music in the Neoliberal Era. University of Chicago Press. ISBN 9780226640068.

Jerome Camal, Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics. University of Chicago Press. ISBN 9780226631639.

Jake Johnson, Mormons, Musical Theater, and Belonging in America. University of Illinois Press. ISBN 978-0-252-04251-5.

Emily H. Green, Dedicating Music 1785–1850 . University of Rochester Press. ISBN 9781580469494.

Katherine Baber, Leonard Bernstein and the Language of Jazz. University of Illinois Press. ISBN 978-0-252-04237-9.

Hyun Joo Kim, Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White. University of Rochester Press. ISBN 9781580469463.

Katharina Uhde, The Music of Joseph Joachim. Boydell & Brewer. ISBN 9781783272846.

Jennifer Ronyak, Intimacy, Performance, and the Lied in the Early Nineteenth Century. Indiana University Press. ISBN 978-0-253-03577-6.

Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde. Oxford University Press. ISBN 9780190868192.

Hilde Roos, La Traviata Affair: Opera in the Age of Apartheid. University of California Press. ISBN 9780520299894.

Tina Bucuvalas, ed., Greek Music in America. University Press of Mississippi. ISBN 9781496819703.

Katherine In-Young Lee, Dynamic Korea and Rhythmic Form. Wesleyan University Press. ISBN 978-0819577054.

Jason Yust, Organized Time: Rhythm, Tonality, and Form. Oxford University Press. ISBN 9780190696481.

Michael Birenbaum Quintero, Rites, Rights, and Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific. Oxford University Press. ISBN 9780199913923.

Nathan Platte, Making Music in Selznick’s Hollywood. Oxford University Press. ISBN 9780199371112.

Sandra Jean Graham, Spirituals and the Birth of a Black Entertainment Industry. University of Illinois Press. ISBN 978-0-252-04163-1.

Marié Abe, Resonances of Chindon-ya: Sound, Space, and Sociality in Contemporary Japan. Wesleyan University Press. ISBN 978-0-8195-7778-8.

Angela Fiore, 'Non senza scandalo delli convicini': pratiche musicali nelle istitzioni religiose femminili a Napoli 1650-1750. Peter Lang. ISBN 978-3034323406.

Esther Morgan-Ellis, Everybody Sing! Community Singing in the American Picture Palace. University of Georgia Press. ISBN 978-0-8203-5204-6.

Michael Gallope, Deep Refrains: Music, Philosophy, and the Ineffable. University of Chicago Press. ISBN 9780226483559.

Ellen Lockhart, Animation, Plasticity, and Music in Italy, 1770-1830. University of California Press. ISBN 9780520284432.

J. Griffith Rollefson, Flip the Script: European Hip Hop and the Politcs of Postcoloniality. University of Chicago Press. ISBN 9780226496184.

Stefan Fiol, Recasting Folk in the Himalayas: Indian Music, Media, and Social Mobilitiy. University of Illinois Press. ISBN 978-0-252-04120-4.

Richard Jones-Bamman, Building New Banjoes for an Old-Time World. University of Illinois Press. ISBN 978-0-252-04130-3.

Christopher Doll, Hearing Harmony: Toward a Tonal Theory for the Rock Era. University of Michigan Press. ISBN 978-0-472-07352-8.

Erinn E. Knyt, Ferruccio Busoni and his Legacy. Indiana University Press. ISBN 978-0-253-02628-6.

Marian Wilson Kimber, The Elocutionists: Women, Music, and the Spoken Word. University of Illinois Press. ISBN 978-0-252-04071-9.

Andrew Talle, Beyond Bach: Music and Everyday Life in the Eighteenth Century. University of Illinois Press. ISBN 978-0-252-04084-9.

Kelly St. Pierre, Bedřich Smetana: Myth, Music, and Propaganda. Boydell & Brewer. ISBN 9781580465106.

Seth Brodsky, From 1989, or European Music & the Modernist Unconscious. University of California Press. ISBN 9780520279360.

Eva Moreda Rodríguez, Music Criticism and Music Critics in Early Francoist Spain. Oxford University Press. ISBN 9780190215866.

Nancy Yunhwa Rao, Chinatown Opera Theater in North America. University of Illinois Press. ISBN 978-0-252-04056-6.

Jacqueline Avila, Cinesonidos: Film Music and National Identity During Mexico's Época de Oro. Oxford University Press. ISBN 9780190671310.

Andrea F. Bohlman, Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland. Oxford University Press. ISBN 9780190084080.

Elizabeth A. Clendinning, American Gamelan and the Ethnomusicological Imagination. University of Illinois Press. ISBN 9780252085291.

Gabriela Cruz, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera. Oxford University Press. ISBN 9780190915056.

Valeria De Lucca, The Politics of Princely Entertainment: Music and Theater in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689). Oxford University Press. ISBN 9780190631130.

Sarah Justina Eyerly, Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. Indiana University Press. ISBN 9780253047694.

Kate Guthrie, The Art of Appreciation: Music and Middlebrow Culture in Modern Britain. University of California Press. ISBN 9780520351677.

John Paul Ito, Focal Impulse Theory: Musical Expression, Meter, and the Body. Indiana University Press. ISBN 9780253049957.

Alisha Lola Jones, Flaming?: The Peculiar Theo-Politics of Fire and Desire in Black Male Gospel Performance. Oxford University Press. ISBN 9780190065416.

Paula Musegades, Aaron Copland's Hollywood Film Scores. University of Rochester Press. ISBN 9781580469913.

Mitchell Ohriner, Flow: The Rhythmic Voice in Rap Music. Oxford University Press. ISBN 9780190670412.

Marcia Ray, Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater. University of Rochester Press. ISBN 9781580469883.

Dylan Robinson, Hungry Listening: Resonant Theory for Indigenous Sound Studies. University of Minnesota Press. ISBN 9781517907693.

Tes Slominski, Trad Nation: Gender, Sexuality, and Race in Irish Traditional Music. Wesleyan University Press. ISBN 9780819579270.

Kenneth M. Smith, Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin-de-Siècle Tonality. Oxford University Press. ISBN 9780190923426.

Vincent L. Stephens, Rocking the Closet: How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music. University of Illinois Press. ISBN 9780252084638.

Christopher Washburne, Latin Jazz: The Other Jazz. Oxford University Press. ISBN 9780195371628.

Mark Burford, Mahalia Jackson and the Black Gospel Field. Oxford University Press. ISBN 9780190634902.

Joanna K. Love, Soda Goes Pop: Pepsi Cola, Advertising, and Popular Music. University of Michigan Press. ISBN 9780472124329.

Lorraine Plourde, Tokyo Listening: Sound and Sense in Contemporary Japan. Wesleyan University Press. ISBN 9780819578839.

Jim Sykes, The Musical Gift: Sonic Generosity in Post-War Sri Lanka. Oxford University Press. ISBN 9780190912024.

Benjamin Tausig, Bangkok is Ringing: Sound, Space, and Media at Thailand’s Red Shirt Protests. Oxford University Press. ISBN 9780190847524.

Ilana Webster-Kogen, Citizen Azmari: Making Ethiopian Music in Tel Aviv. Wesleyan University Press. ISBN 9780819578327.

Sharon Ammen, May Irwin: Singing, Shouting, and the Shadow of Minstrelsy. University of Illinois Press. ISBN 9780252040658.

Walter Zev. Feldman, Klezmer: Music, History, and Memory. Oxford University Press. ISBN 9780190244514.

Marc Gidal, Spirit song: Afro-Brazilian religious music and boundaries. Oxford University Press. ISBN 9780199368228.

Chérie Rivers Ndaliko, Necessary Noise: Art, Music, and Charitable Imperialism in the East of Congo. Oxford University Press. ISBN 9780190499570.

Jesus A. Ramos-Kittrell, Playing in the Cathedral: Music, Race, and Social Status in Eighteenth-Century Mexico City. Oxford University Press. ISBN 9780190236816.

Benjamin Teitelbaum, Lions of the North: Music and New Nordic Radical Nationalism. Oxford University Press. ISBN 9780190212599.

Joan Titus, The Early Film Music of Dmitry Shostakovich. Oxford University Press. ISBN 9780199315147.

Nicholas Tochka, Audible States: The Political Economy of Popular Music-Making in Albania Since 1945. Oxford University Press. ISBN 9780190467814.

Roger Moseley, Keys to Play: Music as a Ludic Medium from Apollo to Nintendo. University of California Press. ISBN 9780520291249.

Rebecca Cypess, Curious and Modern Inventions: Music and Instrumentality in Early Modern Italy. University of Chicago Press. ISBN 9780226319445.

Luisa Nardini, Interlacing Traditions: Neo-Gregorian Chant in Beneventan Manuscripts. Pontifical Institute of Medieval Studies. ISBN 9780888442055.

Emily Wilbourne, Seventeenth-Century Opera and the Sound of the Commedia dell’Arte. University of Chicago Press. ISBN 9780226401577.

Deirdre Loughridge, Haydn’s Sunrise, Beethoven’s Shadow: Audiovisual Culture and the Emergence of Romanticism. University of Chicago Press. ISBN 9780226337098.

Alexander Stefaniak, Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany. Indiana University Press. ISBN 9780253021991.

Donald G. Traut, Stravinsky's "Great Passacaglia": Recurring Elements in the Concerto for Piano and Wind Instruments. University of Rochester Press. ISBN 9781580465137.

Andrew R. Walkling, Masque and Opera in England, 1656-1688. Routledge. ISBN 9781472446534.

Kyle Barnett, Record Cultures: The Transformation of the U.S. Recording Industry. University of Michigan Press. ISBN 9780472131037.

Christopher Chowrimootoo, Middlebrow Modernism: Britten’s Operas and the Great Divide. University of California Press. ISBN 9780520298651.

Tala Jarjour, Sense and Sadness: Syriac Chant in Aleppo. Oxford University Press. ISBN 9780190635251.

Kate Kennedy, ed., Literary Britten: Words and Music in Benjamin Britten’s Vocal Works. Boydell & Brewer Press. ISBN 9781783272853.

Anna Stoll Knecht, Mahler’s Seventh Symphony. Oxford University Press. ISBN 9780190491116.

Frank Lehman, Hollywood Harmony: Analyzing Wonder in American Film Music. Oxford University Press. ISBN 9780190606398.

Richard H. Brown, Through the Looking Glass: John Cage and Avant-Garde Cinema. Oxford University Press. ISBN 9780190628079.

Damascus Kafumbe, Tuning the Kingdom: Kawuugulu, Music, Politics, and Storytelling in Buganda. University of Rochester Press. ISBN 9781580469043.

Erin Lambert, Singing the Resurrection: Body, Community, and Belief in Reformation in Europe. Oxford University Press. ISBN 9780190661649.

You Nakai, Reminded by the Instruments: David Tudor's Music. Oxford University Press. ISBN 9780190686765.

Richard M. Shain, Roots in Reverse: Senegalese Afro-Cuban Music and Tropical Cosmopolitanism. Wesleyan University Press. ISBN 9780819577085.

Jacquelyn E. C. Sholes, Allusion as Narrative Premise in Brahms’s Instrumental Music. Indiana University Press. ISBN 9780253033154.

Giorgio Biancorosso, Situated Listening: The Sound of Absorption in Classical Cinema. Oxford University Press. ISBN 9780195374711.

John Wriggle, Blue Ryythm Fantasy: Big Band Jazz Arranging in the Swing Era. University of Illinois Press. ISBN 978-0-252-04040-5.

Gavin Steingo, Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa. University of Chicago Press. ISBN 978-0226362540.

Jonathan Glasser, The Lost Paradise: Andalusi Music in Urban North Africa. University of Chicago Press. ISBN 978-0226327235.

Thomas H. Greenland, Jazzing: New York City's Unseen Scene. University of Illinois Press. ISBN 978-0252081606.

Jeffrey Swinkin, Performative Analysis: Reimagining Music Theory for Performance. Boydell and Brewer. ISBN 978-1580465267.

Harriet Boyd-Bennett, The Politics of Opera in Postwar Venice. Cambridge University Press. ISBN 9781316718476.

Jonathan De Souza, Music at Hand: Instruments, Bodies, and Cognition. Oxford University Press. ISBN 9780190271114.

Lonán Ó Briain, Musical Minorities: The Sounds of Hmong Ethnicity in Northern Vietnam. Oxford University Press. ISBN 9780190626969.

Philip M. Gentry, What Will I Be: American Music and Cold War Identity. Oxford University Press. ISBN 9780190299590.

Denise Gill, Melancholic Modalities: Affect and Turkish Classical Musicians. Oxford University Press. ISBN 9780190495008.

Sarah Morelli, Tales of a Modern Guru: Pandit Chitresh Das and Indian Classical Dance in Diaspora. University of Illinois Press. ISBN 9780252084683.

Kimberly Francis, Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon. Oxford University Press. ISBN 978-0199373697.

Thomas Patteson, Instruments for New Music: Sound, Technology, and Modernism. University of California Press. ISBN 978-0520288027.

Bradley Shope, American Popular Music in Britain's Raj. University of Rochester Press. ISBN 978-1580465489.

Nina Sun Eidsheim, Sensing Sound: Singing and Listening as Vibrational Practice. Duke University Press. ISBN 978-0822360612.

Arman Schwartz, Puccini's Soundscapes: Realism and Modernity in Italian Opera. University of Chicago Press. ISBN 9788822264473.

Stephanie Vander Wel, Hillbilly Maidens, Okies, and Cowgirls: Women’s Country Music, 1930-1960. University of Illinois Press. ISBN 9780252084959.

Douglas Shadle, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise. Oxford University Press. ISBN 978-0199358649.

J. Martin Daughtry, Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq. Oxford University Press. ISBN 978-0199361496.

Bryan Proksch, Reviving Haydn. Boydell and Brewer. ISBN 978-1580465120.

Ryan Thomas Skinner, Bamako Sounds: The Afropolitan Ethics of Malian Music. University of Minnesota Press. ISBN 978-0816693504.

Sarah Gutsche-Miller, Parisian Music-Hall Ballet, 1871-1913. Boydell and Brewer. ISBN 978-1580464420.

Tanya Merchant, Women Musicians of Uzbekistan: From Courtyard to Conservatory . University of Illinois Press. ISBN 978-0252081064.

Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities. University of Illinois Press. ISBN 978-0252039225.

Jonathyne Briggs, Sounds French: Globalization, Cultural Communities and Pop Music, 1958-1980. Oxford University Press. ISBN 978-0199377060.

Daniel B. Sharp, Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil. Wesleyan University Press. ISBN 978-0819575029.

Andrew Granade, Harry Partch, Hobo Composer. Boydell and Brewer. ISBN 978-1580464956.

Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934. Columbia University Press. ISBN 978-0231165839.

Ryan Raul Bañagale, Arranging Gershwin: Rhapsody in Blue and the Creation of an American Icon. Oxford University Press. ISBN 978-019997838-0.

Julia Byl, Antiphonal Histories: Resonant Pasts in the Toba Batak Musical Present. Wesleyan University Press. ISBN 978-0819574794.

Jennifer Fleeger, Mismatched Women: The Siren's Song Through the Machine. Oxford University Press. ISBN 978-019993691-5.

William Cheng, Sound Play: Video Games and the Musical Imagination. Oxford University Press. ISBN 978-0199969975.

Catherine Grant, Music Endangerment: How Language Maintenance Can Help. Oxford University Press . ISBN 978-0199352173.

Carol J. Oja, Bernstein Meets Broadway: Collaborative Art in a Time of War. Oxford University Press. ISBN 978-0199862092.

Matthew McDonald, Breaking Time's Arrow: Experiment and Expression in the Music of Charles Ives. Indiana University Press. ISBN 978-0253012739.

Silvio J. dos Santos, Narratives of Identity in Alban Berg's Lulu. Boydell and Brewer. ISBN 978-1-58046-483-3.

Catherine Saucier, A Paradise of Priests: Singing the Civic and Episcopal Hagiography of Medieval Liege. Boydell and Brewer. ISBN 978-1580464802.

Lila Ellen Gray, Fado Resounding: Affective Politics and Urban Life. Duke University Press. ISBN 978-0822354710.

Gurminder Kaur Bhogal, Details of Consequence: Ornament, Music, and Art in Paris. Oxford University Press. ISBN 978-0199795055.

Lynn M. Hooker, Redefining Hungarian Music from Liszt to Bartók. Oxford University Press. ISBN 978-0199739592.

Byron Dueck, Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance. Oxford University Press. ISBN 978-0199747658.

Nick Wilson, The Art of Re-enchantment: Making Early Music in the Modern Age. Oxford University Press. ISBN 978-0199939930.

Sumanth Gopinath, The Ringtone Dialectic: Economy and Cultural Form. The MIT Press. ISBN 0262019159.

Justin A. Williams, Rhymin' and Stealin': Musical Borrowing in Hop-hop. University of Michigan Press. ISBN 0472118927.

Matt Sakakeeny, Roll With It: Brass Bands in the Streets of New Orleans. Duke University Press. ISBN 978-0822355670.

Katherine Spring, Saying It With Songs: Popular Music and the Coming of Sound to Hollywood Cinema. Oxford University Press. ISBN 978-0199842223./p>

Kate McQuiston, We'll Meet Again: Musical Design in the Films of Stanley Kubrick. Oxford University Press. ISBN 0199767661.

Mary Simonson, Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century. Oxford University Press. ISBN 978-0199898039.

Bettina Varwig, Histories of Heinrich Schütz. Cambridge University Press . ISBN 0253007872.

Alexandra T. Vazquez, Listening in Detail: Performances of Cuban Music. Duke University Press. ISBN 0822354586.

Maureen Jackson, Mixing Musics: Turkish Jewry and the Urban Landscape of a Sacred Song. Stanford University Press . ISBN 0804780153.

Heather Wiebe, Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction. Cambridge University Press. ISBN 0521194679.

Paul Schleuse, Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi. Indiana University Press. ISBN 9780253015013.

Jennifer Bain, Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer. Cambridge University Press. ISBN 9781139924597.

Benjamin Brand, Holy Treasure and Sacred Song: Relic Cults and their Liturgies in Medieval Tuscany. Oxford University Press. ISBN 9780199351350.

Roger Mathew Grant, Beating Time and Measuring Music in the Early Modern Era. Oxford University Press. ISBN 9780199367283.

James Revell Carr, Hawaiian Music in Motion: Mariners, Missionaries, and Minstrels. University of Illinois Press. ISBN 9780252080197.

Adrian Daub, Four-Handed Monsters: Four-Hand Piano Playing and Nineteenth-Century Culture. Oxford University Press. ISBN 9780199981779.

Lauren Jennings, Senza Vestimenta: The Literary Tradition of Trecento Song. Routledge Press. ISBN 9781138379961.

Robert M. Marovich, A City Called Heaven: Chicago and the Birth of Gospel Music. University of Illinois Press. ISBN 9780252080692.

Seth Monahan, Mahler's Symphonic Sonatas. Oxford University Press. ISBN 9780199303465.

Tim Shephard, Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440-1530. Oxford University Press. ISBN 9780199936137.

K.J. Donnelly, Occult Aesthetics: Synchronization in Sound Cinema. Oxford University Press. ISBN 9780199773497.

Sonia Tamar Seeman, Sounding Roman: Representation and Performing Identity in Western Turkey. Oxford University Press. ISBN 9780199949243.

Sheryl Kaskowitz, God Bless America: The Surprising History of an Iconic Song. Oxford University Press. ISBN 0199919771.

Phil Ford, Dig: Sound and Music in Hip Culture. Oxford University Press. ISBN 0199939918.

Drew Massey, John Kirkpatrick, American Music, and the Printed Page. Boydell and Brewer. ISBN 1580464041.

Stephanie Jensen-Moulton, ed., Miriam Gideon, Fortunato: Orchestration of Scene 1. A-R Editions, Inc. ISBN 0895797690.

Stephanie Jensen-Moulton, ed., Miriam Gideon, Fortunato: An Opera in Three Scenes (1958). A-R Editions, Inc. ISBN 0895797674.

S. Alexander Reed, Assimilate: A Critical History of Industrial Music. Oxford University Press. ISBN 0199832587.

Gregory S. Johnston, A Heinrich Schütz Reader. Oxford University Press. ISBN 978-0-19-981220-2.

David C. Paul, Charles Ives in the Mirror: American Histories of an Iconic Composer. University of Illinois Press. ISBN 978-0-252-03749-8.

Anthony J. Bushard, Leonard Bernstein's On the Waterfront: A Film Score Guide. Scarecrow Press. ISBN 0810881373.

Kevin Bartig, Composing for the Red Screen: Prokofiev and Soviet Film. Oxford University Press. ISBN 0199967598.

Jason Geary, The Politics of Appropriation: German Romantic Music and the Ancient Greek Legacy. Oxford University Press. ISBN 9780199736119.

Janet K. Page, Convent Music and Politics in Eighteenth-Century Vienna. Cambridge University Press. ISBN 9781139856447.

Anna Schultz, Singing a Hindu Nation: Marathi Devotional Performance and Nationalism. Oxford University Press. ISBN 0199730830.

James M. Doering, The Great Orchestrator: Arthur Judson and American Arts Management. University of Illinois Press. ISBN 0252037413.

Emily I. Dolan, The Orchestral Revolution: Haydn and the Technologies of Timbre. Cambridge University Press. ISBN 1-107-02825-6.

Dora A. Hanninen, A Theory of Music Analysis: On Segmentation and Associative Organization. Boydell and Brewer. ISBN 1-58046-194-8.

Samuel Llano, Whose Spain?: Negotiating “Spanish Music” in Paris, 1908-1929. Oxford University Press. ISBN 9780199858460.

Matthew Raheim, Musicking Bodies: Gesture and Voice in Hindustani Music. Wesleyan University Press. ISBN 0-8195-7326-4.

Dominic McHugh, Loverly: The Life and Times of My Fair Lady. Oxford University Press. ISBN 0199827303.

Benjamin Steege, Helmholtz and the Modern Listener. Cambridge University Press. ISBN 1107015170.

Travis A. Jackson, Blowin' the Blues Away: Performance and Meaning on the New York Jazz Scene. University of California Press . ISBN 0520270452.

Giorgio Sanguinetti, The Art of Partimento: History, Theory, and Practice. Oxford University Press. ISBN 0195394208.

Maria Cizmic, Performing Pain: Music and Trauma in Eastern Europe. Oxford University Press. ISBN 0199734607.

Joshua D. Pilzer, Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese "Comfort Women". Oxford University Press. ISBN 019975957X.

Beth E. Levy, Frontier Figures: American Music and the Mythology of the American West. University of California Press. ISBN 0520267788.

Michael Puri, Ravel the Decadent: Memory, Sublimation, and Desire. Oxford University Press. ISBN 0199735379.

Andrew Berish, Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s. University Of Chicago Press . ISBN 0226044955.

Shay Loya, Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition. Boydell and Brewer. ISBN 1580463231.

Andrew H. Weaver, Sacred Music as Public Image for Holy Roman Emperor Ferdinand III. Ashgate Publishing, Ltd.. ISBN 1409421198.

Jeremy Grimshaw, Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young. Oxford University Press. ISBN 0199740208.

Kristina Muxfeldt, Vanishing Sensibilities: Schubert, Beethoven, Schumann. Oxford University Press. ISBN 0199782423.

Christina Baade, Victory through Harmony: The BBC and Popular Music in World War II. Oxford University Press . ISBN 0195372018.

David J. Rothenberg, The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music. Oxford University Press. ISBN 0195399714.

Steven Rings, Tonality and Transformation (Oxford Studies in Music Theory). Oxford University Press. ISBN 019538427X.

Todd Decker, Music Makes Me: Fred Astaire and Jazz. University of California Press. ISBN 978-0-520-26890-6.

Sabine Feisst, Schoenberg's New World: The American Years. Oxford University Press. ISBN 978-0-19-537238-0.

Benjamin Piekut, Experimentalism Otherwise: The New York Avant-Garde and Its Limits. University of California Press. ISBN 978-0520268517.

Nancy Newman, Good Music for a Free People: The Germania Musical Society in Nineteenth-Century America. Boydell and Brewer. ISBN 978-1-58046-345-4.

Richard C. Jankowsky, Stambeli: Music, Trance, and Alterity in Tunisia (Chicago Studies in Ethnomusicology). The University of Chicago Press. ISBN 978-0-226-39217-2.

D. R. M. Irving, Colonial Counterpoint: Music in Early Modern Manila. Oxford University Press. ISBN 978-0195378269.

Laura Lohman, Umm Kulthūm: Artistic Agency and the Shaping of an Arab Legend, 1967-2007. Wesleyan University Press. ISBN 978-0-8195-7071-0.

Franya J. Berkman, Monument Eternal: The Music of Alice Coltrane. Wesleyan University Press. ISBN 978-0-8195-6925-7.