2020
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Judith A. Peraino “I'll Be Your Mixtape: Lou Reed, Andy Warhol, and the Queer Intimacies of Cassettes,” The Journal of Musicology 36/4 (2019): 401-436. |
2019
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Roger Freitas “Singing Herself: Adelina Patti and the Performance of Femininity” Journal of the American Musicological Society 71/2 (2018): 287–369. |
| 2018 |
Jennifer Saltzstein “Rape and Repentance in Two Medieval Motets,” Journal of the American Musicological Society 70/3 (2017): 583–616. |
| 2017 |
Anna Schultz and Sumanth Gopinath “Sentimental Remembrance and the Amusements of Forgetting in Karl and Harty’s ‘Kentucky’,” Journal of the American Musicological Society 69/2 (2016): 477–524. |
| 2016 |
W. Anthony Sheppard “Puccini and the Music Boxes,” Journal of the Royal Musical Association 140/1 (2015): 41–92. |
| 2015 |
Pierpaolo Polzonetti “Tartini and the Tongue of Saint Anthony,” Journal of the American Musicological Society 67/2 (2014): 429–86. |
| 2014 |
Anna Maria Busse Berger “Spreading the Gospel of Singbewegung: An Ethnomusicologist Missionary in Tanganyika of the 1930s,” Journal of the American Musicological Society 66/2 (2013): 475–522. |
| 2013 |
Tim Carter “Monteverdi, Early Opera and a Question of Genre: The Case of Andromeda (1620),” Journal of the Royal Musical Association 137/1 (2012): 1–34. |
| 2012 |
Lydia Goehr “‘—wie ihn uns Meister Dürer gemalt!’: Contest, Myth, and Prophecy in Wagner’s Die Meistersinger von Nürnberg,” Journal of the American Musicological Society 64/1 (2011): 51–118.
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| 2011 |
Mark Everist “Grand Opéra—Petit Opéra: Parisian Opera and Ballet from the Restoration to the Second Empire,” 19th-Century Music 33/3 (2010): 195–231. |
| 2010 |
David Brodbeck “Hanslick’s Smetana and Hanslick’s Prague,” Journal of the Royal Musical Association 134/1 (2009): 1–36. |
| 2009 |
Rose Rosengard Subotnik “Shoddy Equipment for Living?: Deconstructing the Tin Pan Alley Song,” Musicological Identities: Essays in Honor of Susan McClary (Ashgate, 2008). |
| 2008 |
Christopher Reynolds “Porgy and Bess, ‘An American Wozzeck’,” Journal of the Society for American Music 1/1 (2007): 1–28. |
| 2007 |
Anne Walters Robertson “The Savior, the Woman, and the Head of the Dragon in the Caput Masses and Motet,” Journal of the American Musicological Society 59/3 (2006): 537–630. |
| 2006 |
Ralph Locke “Beyond the Exotic: How ‘Eastern’ is Aida?,” Cambridge Opera Journal 17/2 (2005): 105–39. |
| 2005 |
Jann Pasler “The Utility of Musical Instruments in the Racial and Colonial Agendas of Late Nineteenth-Century France,” Journal of the Royal Musical Association 129/1 (2004): 24–76. |