Holmes / D'Accone Fellowship |
Deadline: 3 February 2025, 11:59pm ET
William F. Holmes / Frank D’Accone Dissertation Fellowship in
The Holmes / D’Accone Fellowship for dissertation research recognizes academic achievement and future promise in the study of opera. Any full-time graduate student registered in good standing for a doctorate at a North American* university who has had a dissertation proposal in the subfield of opera studies approved at the time of the application is eligible to apply, regardless of the stage of dissertation work. *Includes all 23 countries in the North American continent Competition and Application ProceduresApplication deadline: 11:59pm EST, 3 February 2025 Please note: AMS Fellowships now use a common application. If you are eligible for and wish to apply for more than one AMS fellowship, you may do so by completing a single common application. You must indicate on the form for which fellowship(s) you are applying. To apply for the Holmes / D'Accone Dissertation Fellowship in Opera Studies, you will be required to provide the following materials:
Note: letters of recommendation and a curriculum vitae are not required. Important notes:
AwardThe Holmes/D’Accone Opera Studies Fellowship is awarded solely on the basis of academic merit. Fellows receive a twelve-month stipend, currently set at $25,000. They may also elect to accept the award on a non-stipendiary basis (thus freeing scarce resources for others). Fellowships are not deferrable or renewable. The fellowship is intended for full-time study. It cannot be held concurrently with a comparable or year-long fellowship unless accepted on an non-stipendiary basis. Fellows are expected to focus on completing their dissertation and not to undertake more than twenty (20) hours each week of paid or unpaid employment during the fellowship term. There are no provisions for the payment of tuition: it is hoped that graduate schools will provide tuition fellowships or waivers. The endowment carries the names of two music historians of the early modern period with long and distinguished careers at the University of California. William C. Holmes (1928–99), a scholar of 17th-century music who edited and wrote about operas by Cesti and Scarlatti before turning to the works of Verdi, was professor of music at the University of California, Irvine (1968–94). His Opera Observed: Views of a Florentine Impresario in the Early Eighteenth Century was published by the University of Chicago Press in 1993. Music Observed: Studies in Memory of William C. Holmes appeared in 2004 (Detroit Monographs in Musicology / Studies in Music, no. 42; Harmonie Park Press). Frank A. D’Accone was professor of music at UCLA (1968–94), where he served as chair of the Departments of Music and Musicology. He has published extensively on Renaissance music in Tuscany and has edited and written about Scarlatti’s first opera. His foundational work, including many editions, has documented the lives and works of a number of Florentine composers as well as musical practices of their times. He served as general editor of Corpus mensurabilis musicae (1983–2002) and co-editor of Musica Disciplina (1989–2002). His The Civic Muse: Music and Musicians in Siena During the Middle Ages and the Renaissance was published by the University of Chicago Press in 1997. A Festschrift, Musica Franca: Essays in Honor of Frank A. D’Accone, appeared in 1996 (Pendragon). D’Accone is a member of the American Academy of Arts and Sciences, and he was named Honorary Member of the Society in 2006. The Endowment was established by Frank D’Accone in memory of Bill Holmes.
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