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Holmes / D'Accone Fellowship

Deadline: 3 February 2025, 11:59pm ET

 

William F. Holmes / Frank D’Accone Dissertation Fellowship in
Opera Studies

 

 

 

The Holmes / D’Accone Fellowship for dissertation research recognizes academic achievement and future promise in the study of opera. Any full-time graduate student registered in good standing for a doctorate at a North American* university who has had a dissertation proposal in the subfield of opera studies approved at the time of the application is eligible to apply, regardless of the stage of dissertation work.

*Includes all 23 countries in the North American continent


Competition and Application Procedures

Application deadline: 11:59pm EST, 3 February 2025

Please note: AMS Fellowships now use a common application. If you are eligible for and wish to apply for more than one AMS fellowship, you may do so by completing a single common application. You must indicate on the form for which fellowship(s) you are applying.

To apply for the Holmes / D'Accone Dissertation Fellowship in Opera Studies, you will be required to provide the following materials:

  1. A brief (1,000 character) dissertation project description.
  2. A current dissertation proposal of 2,000-4,000 words, double-spaced, in 12-point font. The proposal should include a detailed rationale of the project (supported by, but not limited to, an assessment of relevant secondary literature) and an overview of each chapter. It should be a sourced document with footnotes, endnotes, and/or bibliography. This document should include the name of your project, but omit personally identifying information, such as your name and institution.
  3. A timeline (1-2 pages) for completion of the dissertation, including information about progress to date. The timeline should indicate all milestones (completion of exams, proposal approval, etc.) that are relevant for your program/institution. This document should include the name of your project, but omit personally identifying information, such as your name and institution.
  4. A sample chapter or excerpt (preferably not an introductory chapter reviewing the literature). This chapter or excerpt should be one that clearly represents or bolsters your overall thesis, and should not exceed 60 double-spaced pages in length. This document should include the name of your project, but omit personally identifying information, such as your name and institution.
  5. You must also arrange for a letter from the registrar or departmental Director of Graduate Studies, attesting that your dissertation proposal in opera studies has been approved. This must be requested using the reference request feature included in the application form, so have your attestor's name and email handy when filling in the form. You may send the request for this letter at any time, even before you are ready to submit the application.

Note: letters of recommendation and a curriculum vitae are not required.

Important notes:

  1. Applicants must submit items 1-4, above, in an anonymous form, i.e., without name or evidence of institutional affiliation in any document (including text, headers, footers, footnotes, and document properties). Please be particularly careful not to name university-based sources of funding or other institutional information in the prospectus and timeline.
  2. Start your application process early. You may save an incomplete form and continue later.
  3. You MUST click the 'Submit' button at the end of the form in order to submit your application. Applications not submitted by the deadline cannot be considered.
  4. Upon submission of your application form you will receive an email confirmation. You may also check the status of your application by signing into your Submittable account and clicking "My Submissions". If you have any questions, please contact ams@amsmusicology.org.

 

Award

The Holmes/D’Accone Opera Studies Fellowship is awarded solely on the basis of academic merit. Fellows receive a twelve-month stipend, currently set at $25,000. They may also elect to accept the award on a non-stipendiary basis (thus freeing scarce resources for others). Fellowships are not deferrable or renewable. The fellowship is intended for full-time study. It cannot be held concurrently with a comparable or year-long fellowship unless accepted on an non-stipendiary basis. Fellows are expected to focus on completing their dissertation and not to undertake more than twenty (20) hours each week of paid or unpaid employment during the fellowship term. There are no provisions for the payment of tuition: it is hoped that graduate schools will provide tuition fellowships or waivers.

Fellows are selected in the spring and announced in the summer.

 

The endowment carries the names of two music historians of the early modern period with long and distinguished careers at the University of California. William C. Holmes (1928–99), a scholar of 17th-century music who edited and wrote about operas by Cesti and Scarlatti before turning to the works of Verdi, was professor of music at the University of California, Irvine (1968–94). His Opera Observed: Views of a Florentine Impresario in the Early Eighteenth Century was published by the University of Chicago Press in 1993. Music Observed: Studies in Memory of William C. Holmes appeared in 2004 (Detroit Monographs in Musicology / Studies in Music, no. 42; Harmonie Park Press).

Frank A. D’Accone was professor of music at UCLA (1968–94), where he served as chair of the Departments of Music and Musicology. He has published extensively on Renaissance music in Tuscany and has edited and written about Scarlatti’s first opera. His foundational work, including many editions, has documented the lives and works of a number of Florentine composers as well as musical practices of their times. He served as general editor of Corpus mensurabilis musicae (1983–2002) and co-editor of Musica Disciplina (1989–2002). His The Civic Muse: Music and Musicians in Siena During the Middle Ages and the Renaissance was published by the University of Chicago Press in 1997. A Festschrift, Musica Franca: Essays in Honor of Frank A. D’Accone, appeared in 1996 (Pendragon). D’Accone is a member of the American Academy of Arts and Sciences, and he was named Honorary Member of the Society in 2006.

The Endowment was established by Frank D’Accone in memory of Bill Holmes.