RECIPIENTS
| 2024 |
Christina Fuhrmann (Baldwin Wallace University) and Alison Mero (Clemson University Press), eds.
Opera and British Print Culture in the Long Nineteenth Century (Clemson University Press, 2023). |
| 2023 |
Charlotte Bentley (Newcastle University)
New Orleans and the Creation of Transatlantic Opera, 1819–1859 (University of Chicago Press, 2022). |
| 2022 |
Jennifer Walker (West Virginia University)
Sacred Sounds, Secular Spaces: Transforming Catholicism Through the Music of Third-Republic Paris (Oxford University Press, 2021). |
| 2021 |
Honorable Mention: Bonny Miller (Independent Scholar)
Augusta Browne: Composer and Woman of Letters in Nineteenth-Century America (University of Rochester Press, 2020). |
| 2021 |
Billy Coleman (University of Missouri)
Harnessing Harmony: Music, Power, and Politics in the United States, 1788-1865 (University of North Carolina Press, 2020). |
| 2020 |
Katherine K. Preston (College of William & Mary)
Opera for the People: English-language Opera and Women Managers in Late 19th-Century America (Oxford University Press, 2017). |
| 2019 |
Federico Lazzaro (McGill University)
Écoles de Paris en musique, 1920-1950: identités, nationalisme, cosmopolitisme (Vrin, 2018). |
| 2018 |
Douglas Shadle (Vanderbilt University)
Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford University Press, 2015). |
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Past President of the Society
President of the Society
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