| Publications supported by AMS Publication Subventions |
 Lisa Barg, Queer Arrangements: Billy Strayhorn and Midcentury Jazz Collaboration. Wesleyan University Press. ISBN 9780819500649. Supported by the Endowment.  Christopher Morris, Screening the Operatic Stage: Television and Beyond. University of Chicago Press. ISBN 9780226831299. Supported by the Endowment.  Edmund Mendelssohn, White Musical Mythologies: Sonic Presence in Modernism. Stanford University Press. ISBN 9781503636637. Supported by the AMS 75 PAYS Endowment.  Michael C. Heller, Just Beyond Listening: Essays of Sonic Encounter. University of California Press. ISBN 9780520350786. Supported by the Endowment.  Braxton E. Shelley, An Eternal Pitch: Bishop G. E. Patterson, Broadcast Religion, and the Afterlives of Ecstasy. University of California Press. ISBN 9780520387140. Supported by the Endowment.  Holly Rogers, Joana Freitas, and João Francisco Porfírio, eds., Remediating Sound: Repeatable Culture, YouTube and Music. Bloomsbury Publishing. ISBN 9781501387340. Supported by the Endowment.  Rachana Vajjhala, Kinetic Cultures: Modernism and Embodiment on the Belle Epoque Stage. University of California Press. ISBN 9780520356276. Supported by the James R. Anthony Endowment.  Jacek Blaszkiewicz, Fanfare for a City: Music and the Urban Imagination in Haussmann's Paris. University of California Press. ISBN 9780819500182. Supported by the AMS 75 PAYS Endowment.  Leta E. Miller, Union Divided: Black Musicians’ Fight for Labor Equality. University of Illinois Press. ISBN 9780252087677. Supported by the Joseph Kerman Endowment.  Maria Cristina Fava, Art Music Activism: Aesthetics and Politics in 1930s New York City. University of Illinois Press. ISBN 9780252045714. Supported by the AMS 75 PAYS Endowment.  Kristin M. Franseen, Imagining Musical Pasts: The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson. Clemson University Press. ISBN 9781638040583. Supported by the AMS 75 PAYS Endowment.  John Rink, Music in Profile: Twelve Performance Studies. Oxford University Press. ISBN 9780197565391. Supported by the Endowment.  Andrew Eisenberg, Sounds of Other Shores: The Musical Poetics of Identity on Kenya’s Swahili Coast. Wesleyan University Press. ISBN 9780819501059. Supported by the Endowment.  Shayna Silverstein, Fraught Balance: The Embodied Politics of Dabke Dance Music in Syria. Wesleyan University Press. ISBN 9780819501028. Supported by the AMS 75 PAYS Endowment.  Michael Gallope, The Musician as Philosopher: The Vernacular Avant-Garde, 1958–78. University of Chicago Press. ISBN 9780226831763. Supported by the Claire and Barry Brook Endowment.  Elizabeth Eva Leach, Medieval Sex Lives: The Sounds of Courtly Intimacy on the Francophone Borders. Cornell University Press. ISBN 9781501771873. Supported by the Kenneth Levy Endowment.  Amy Coddington, How Hip Hop Became Hit Pop: Radio, Rap, and Race. University of California Press. ISBN 9780819500182. Supported by the AMS 75 PAYS Endowment.  Andrew Snyder, Critical Brass: Street Carnival and Musical Activism in Olympic Rio de Janeiro. Wesleyan University Press. ISBN 9780819500182. Supported by the AMS 75 PAYS Endowment.  Charles Kronengold, Living Genres in Late Modernity: American Music of the Long 1970s. University of California Press. ISBN 9780520388772. Supported by the Endowment.  Charlotte Bentley, New Orleans and the Creation of Transatlantic Opera, 1819–1859. University of Chicago Press. ISBN 9780226823089. Supported by the AMS 75 PAYS Endowment.  Fanny Gribenski, Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859–1955. University of Chicago Press. ISBN 9780226823263. Supported by the Joseph Kerman Endowment.  Jessica Gabriel Peritz, The Lyric Myth of Voice: Civilizing Song in Enlightenment Italy. University of California Press. ISBN 9780520380790. Supported by the AMS 75 PAYS Endowment.  Lauron J. Kehrer, Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance. University of Michigan Press. ISBN 9780472075683. Supported by the AMS 75 PAYS Endowment.  Michael Alan Anderson, Music and Performance in the Book of Hours. Routledge. ISBN 9780367691325. Supported by the Claire and Barry Brook Endowment and Margarita M. Hanson Endowment.  Richard Kramer, From the Ruins of Enlightenment: Beethoven and Schubert in Their Solitude. University of Chicago Press. ISBN 9780226821634. Supported by the John Daverio Endowment.  Robert Nosow, Hobrecht and His Singers. Brepols Publishers. ISBN 9782503597027. Supported by the Martin Picker Endowment.  Viktoria Tkaczyk, Thinking with Sound: A New Program in the Sciences and Humanities around 1900. University of Chicago Press. ISBN 9780226823287. Supported by the Endowment.  William Rothstein, The Musical Language of Italian Opera, 1813-1859. Oxford University Press. ISBN 9780197609682. Supported by the Endowment.  Shalini Ayyagari, Musical Resilience: Performing Patronage in the Indian Thar Desert. Wesleyan University Press. ISBN 9780819500090. Supported by the AMS 75 PAYS Endowment. Aaron J. Johnson, Jazz Radio America. University of Illinois Press. Supported by the AMS 75 PAYS Endowment. Ana Alonso-Minutti, Mario Lavista and Musical Cosmopolitanism in Late Twentieth-Century Mexico. Oxford University Press. Supported by the Iberian and Latin American Music Endowment. Ascensión Mazuela-Anguita, Women in Convent Spaces and the Music Networks of Early Modern Barcelona. Routledge. Supported by the Martin Picker Endowment. Bettina Varwig, Music in the Flesh: An Early Modern Musical Physiology. University of Chicago Press. Supported by the Donna Cardamone Jackson Endowment. Christina J. Woolner, Voicing Intimacy in Somaliland: An Ethnography of Love Songs in Motion. University of Chicago Press. Supported by the AMS 75 PAYS Endowment. Erin E. Bauer, Flaco’s Legacy: The Globalization of Conjunto. University of Illinois Press. Supported by the AMS 75 PAYS Endowment. Erinn Knyt, Ferruccio Busoni as Architect of Sound. Oxford University Press. Supported by the Endowment. Howard Pollack, Samuel Barber: His Life and Legacy. University of Illinois Press. Supported by the Endowment. Jairo Moreno, Aural Equality, Migrant Creativity, and Modernity’s Syncopations. University of Chicago Press. Supported by the Iberian and Latin American Music Endowment. Margaret Bent, The Late-Medieval Motet. Oxford University Press. Supported by the Kenneth Levy Endowment.  Alexander Cannon, Seeding the Tradition: Musical Creativity on Southern Vietnam. Wesleyan University Press. ISBN 9780819580801. Supported by the AMS 75 PAYS Endowment.  Amy Beal, Terrible Freedom: The Life and Work of Lucia Dlugoszewski. University of California Press. ISBN 9780520386655. Supported by the Endowment.  Christopher Anderson, Karl Straube (1873-1950): Germany's Master Organist in Turbulent Times. University of Rochester Press. ISBN 9781648250385. Supported by the Endowment.  Christopher Reali, Music and Mystique in Muscle Shoals. University of Illinois Press. ISBN 9780252044519. Supported by the AMS 75 PAYS Endowment.  Danielle Sofer, Sex Sounds: Vectors of Difference in Electronic Music. MIT Press. ISBN 9780262045193. Supported by the AMS 75 PAYS Endowment.  Diana Hallman and César A. Leal, America in the French Imaginary, 1789-1914: Music, Revolution and Race. Boydell Press. ISBN 9781783277001. Supported by the James R. Anthony Endowment.  Erin Helyard, Clementi and the Woman at the Piano: Music, Market, and Gender in Eighteenth-Century London. Oxford University Studies in the Enlightenment. ISBN 9781800856257. Supported by the AMS 75 PAYS Endowment.  John Rice, Saint Cecilia in the Renaissance: The Emergence of a Musical Icon. University of Chicago Press. ISBN 9780226817101. Supported by the Claire and Barry Brook Endowment.  Louis K. Epstein, The Creative Labor of Music Patronage in Interwar France. Boydell Press. ISBN 9781783276691. Supported by the AMS 75 PAYS Endowment.  Louis Niebur, Menergy: San Francisco's Gay Disco Sound. Oxford University Press. ISBN 9780197511077. Supported by the Joseph Kerman Endowment.  Lynette Bowring, Rebecca Cypess, and Liza Malamut, Music and Jewish Culture in Early Modern Italy: New Perspectives. Indiana University Press. ISBN 9780253060105. Supported by the Donna Cardamone Jackson Endowment.  Matthew Gelbart, Musical Genre and Romantic Ideology: Belonging in the Age of Originality. Oxford University Press. ISBN: 9780190646929. Supported by the John Daverio Endowment.  Melinda Latour, The Voice of Virtue: Moral Song and the Practice of French Stoicism, 1574-1652. Oxford University Press. ISBN: 9780197529744. Supported by the Kenneth Levy Endowment and the Martin Picker Endowment.  Rebecca Cypess, Women and Musical Salons in the Enlightenment. University of Chicago Press. ISBN 9780226817910. Supported by the Margarita M. Hanson Endowment.  Tom Beghin, Beethoven’s French Piano. University of Chicago Press. ISBN 9780226818351. Supported by the Endowment.  Vera Wolkowicz, Inca Music Reimagined: Indigenist Discourses in Latin American Art Music, 1910-1930. Oxford University Press. ISBN 9780197548943. Supported by the AMS 75 PAYS Endowment. Carol A. Hess, Aaron Copland in Latin America: Music and Cultural Politics. University of Illinois Press. Supported by the Iberian and Latin American Music Fund Endowment. Daniel Callahan, The Dancer from the Music: Choreomusicalities in American Modern Dance. Oxford University Press. Supported by the AMS 75 PAYS Endowment. Dorothea Link, The Italian Opera Singers in Mozart's Vienna. University of Illinois Press. Supported by the Endowment. Kelsey A. K. Klotz, Dave Brubeck and the Performance of Whiteness. Oxford University Press. Supported by the AMS 75 PAYS Endowment. Nicholas Mathew, The Haydn Economy. University of Chicago Press. ISBN 9780226819846. Supported by the Joseph Kerman Endowment.  Victor Szabo, Turn On, Tune In, Drift Off: Ambient Music As Popular Genre. Oxford University Press. Supported by the AMS 75 PAYS Endowment. William Rothstein, The Musical Language of Italian Opera, 1813-1859. Oxford University Press. Supported by the Endowment.  Luisa Nardini, Chants, Hypertext, and Prosulas: Re-texting the Proper of the Mass in Beneventan Manuscripts. Oxford University Press. ISBN 9780197514139. Supported by the Kenneth Levy Endowment.  Alexander Stefaniak, Becoming Clara Schumann: Performance Strategies and Aesthetics in the Culture of the Musical Canon. Indiana University Press. ISBN 9780253058294. Supported by the John Daverio Endowment.  Richard Will, "Don Giovanni" Captured: Performance, Media, Myth. University of Chicago Press. ISBN 9780226815411. Supported by the Joseph Kerman Endowment.  Panayotis League, Echoes of the Great Catastrophe: Re-Sounding Anatolian Greekness in Diaspora. University of Michigan Press. ISBN 9780472132683. Supported by the AMS 75 PAYS Endowment.  Tanya Kevorkian, Music and Urban Life in Baroque Germany. University of Virginia Press. ISBN 9780813947013. Supported by the Margarita M. Hanson Endowment and the Donna Cardamone Jackson Endowment.  Daniel Bishop, The Presence of the Past: Temporal Experience and the New Hollywood Soundtrack. Oxford University Press. ISBN 9780190932688. Supported by the AMS 75 PAYS Endowment.  Andrés Espinoza Agurto, Salsa Consciente: Politics, Poetics, and Latinidad in the Meta-Barrio. Michigan State University Press. ISBN 9781611864014. Supported by the AMS 75 PAYS Endowment.  Siv B. Lie, Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France. University of Chicago Press. ISBN 9780226810812. Supported by the AMS 75 PAYS Endowment and the James R. Anthony Endowment.  Francesca Vella, Networking Operatic Italy. University of Chicago Press. ISBN 9780226815701. Supported by the AMS 75 PAYS Endowment.  Alejandro L. Madrid, Tania León’s Stride: A Polyrhythmic Life. University of Illinois Press. ISBN 9780252043949. Supported by the Endowment.  Shana Goldin-Perschbacher, Queer Country. University of Illinois Press. ISBN 9780252044267. Supported by the AMS 75 PAYS Endowment.  Steve Waksman, Live Music in America. Oxford University Press. Supported by the Endowment.  Alexandra Apolloni, Freedom Girls: Voicing Femininity in 1960s British Pop. Oxford University Press. Supported by the AMS 75 PAYS Endowment.  Judith Lochhead, Treitler Festschrift, Collection of Essays. Musical Quarterly. Supported by the Endowment.  Lawrence Bernstein, Inside Gustav Mahler's Second Symphony: A Listener's Guide. Oxford University Press. Supported by the Endowment.  Lynn Edwards Butler, Johann Scheibe: Organ Builder in Leipzig at the Time of Bach. University of Illinois Press. Supported by the Claire and Barry Brook Endowment.  Brigid Cohen, Musical Migration and Imperial New York. University of Chicago Press. ISBN: 9780226818016. Supported by the Endowment.  Gavin Williams, Shellac as Musical Plastic. Journal of the American Musicological Society. Supported by the AMS 75 PAYS Endowment. James O'Leary, Exit Right: Broadway and America's Hidden Avant-Garde. Oxford University Press. Supported by the AMS 75 PAYS Endowment. Rebecca Maloy and Emma Hornby, Liturgical and Musical Culture in Early Medieval Iberia: Decoding a Lost Tradition. Cambridge University Press. Supported by the Martin Picker Endowment.  Benjamin Steege, An Unnatural Attitude: Phenomenology in Weimar Musical Thought. University of Chicago Press. ISBN 9780226762982. Supported by the Endowment.  Sophie Redfern, Bernstein and Robbins: The Early Ballets. University of Rochester Press. ISBN 9781648250057. Supported by the AMS 75 PAYS Endowment.  Eric Sean Crawford, Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands. University of South Carolina Press. ISBN 9781643361901. Supported by the AMS 75 PAYS Endowment.  John Howland, Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music. University of California Press. ISBN 9780520300118. Supported by the Endowment.  Kimberly Hannon Teal, Jazz Places: How Performance Spaces Shape Jazz History. University of California Press. ISBN 9780520303713. Supported by the AMS 75 PAYS Endowment.  Adeline Mueller, Mozart and the Mediation of Childhood. University of Chicago Press. ISBN 9780226629667. Supported by the AMS 75 PAYS Endowment.  Tereza Havelkova, Opera as Hypermedium: Meaning-Making, Immediacy, and the Politics of Perception. Oxford University Press. ISBN 9780190091262. Supported by the Endowment.  David Breitman, Piano-Playing Revisited: What Modern Players Can Learn From Period Instruments. University of Rochester Press. ISBN 9781648250101. Supported by the Martin Picker Fund Endowment.  Kira Thurman, Singing like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms. Cornell University Press. ISBN 9781501759840. Supported by the AMS 75 PAYS Endowment.  Martha Sprigge, Socialist Laments: Musical Mourning in the German Democratic Republic. Oxford University Press. ISBN 9780197546321. Supported by the AMS 75 PAYS Endowment.  Peter Schmelz, Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR. Oxford University Press. ISBN 9780197541258. Supported by the Endowment.  Judith Lochhead, Eduardo Mendieta, and Stephen Decatur Smith, Sound and Affect: Voice, Music, World. University of Chicago Press. ISBN 9780226758015. Supported by the Endowment.  Nina Penner, Storytelling in Opera and Musical Theater. Indiana University Press. ISBN 9780253049971. Supported by the Endowment.  Julia Dokter, Tempo and Tactus in the German Baroque: Treatises, Scores, and the Performance of Organ Music. University of Rochester Press. ISBN 9781648250187. Supported by the Martin Picker Fund Endowment.  Candace Bailey, Unbinding Gentility: Women Making Music in the Nineteenth-Century South. University of Illinois Press. ISBN 9780252085741. Supported by the Donna Cardamone Jackson Fund Endowment and the Joseph Kerman Fund Endowment.  Sean M. Parr, Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera. Oxford University Press. ISBN 9780197542644. Supported by the James R. Anthony Fund Endowment.  Amy Cimini, Wild Sound: Maryanne Amacher and the Tenses of Audible Life. Oxford University Press. ISBN 9780190060893. Supported by the AMS 75 PAYS Endowment and the Claire and Barry Brook Fund Endowment.  Pierpaolo Polzonetti, Eating and Drinking in Opera: Traviata and the Callas Diet . University of Chicago Press. Supported by the Margarita M. Hanson Fund Endowment.  Jake Johnson, Lying in the Middle: Musical Theater and Belief at the Heart of America. University of Illinois Press. Supported by the Endowment.  Adrian Daub, What the Ballad Knows: Memory and German Nation. Oxford University Press. Supported by the John Daverio Fund Endowment and Joseph Kerman Fund Endowment.  Campbell Shiflett, “Au Fond d’un Placard”: Allusion, Narrative, and Queer Experience in Poulenc’s Ier Nocturne. Journal of Musicology. Supported by the Endowment.  Anne Searcy, Ballet in the Cold War: A Soviet-American Exchange. Oxford University Press. ISBN 9780190945107. Supported by the AMS 75 PAYS Endowment.  Edward Nowacki, Greek and Latin Music Theory: Principles and Challenges. University of Rochester Press. ISBN 9781580469951. Supported by the Margarita M. Hanson Fund Endowment.  L. Poundie Burstein, Journeys Through Galant Expositions. Oxford University Press. ISBN 9780190083991. Supported by the Joseph Kerman Fund Endowment and John Daverio Fund Endowment.  Jessie Fillerup, Magician of Sound: Ravel and the Aesthetics of Illusion. University of California Press. ISBN 9780520379886. Supported by the AMS 75 PAYS Endowment.  David H. Miller, Modernist Music for Children: Three Sketches of Anton Webern in the Midcentury United States. Journal of Musicology. Supported by the Claire and Barry Brook Fund Endowment.  Melina Esse, Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera. University of Chicago Press. ISBN 9780226741772. Supported by the Donna Cardamone Jackson Fund Endowment.  Elliott H. Powell, Sounds from the Other Side: Afro–South Asian Collaborations in Black Popular Music. University of Minnesota Press. ISBN 9781517910044. Supported by the AMS 75 PAYS Endowment.  Julia Doe, The Comedians of the King: "Opéra Comique" and the Bourbon Monarchy on the Eve of Revolution. University of Chicago Press. ISBN 9780226743257. Supported by the James R. Anthony Fund Endowment and the AMS 75 PAYS Endowment.  Stephen Rumph, The Fauré Song Cycles: Poetry and Music, 1861–1921. University of California Press. ISBN 9780520297623. Supported by the Endowment.  Robert Wannamaker, The Music of James Tenney. Volume 1: Contexts and Paradigms. University of Illinois Press. ISBN 9780252043673. Supported by the AMS 75 PAYS Endowment.  Micaela Baranello, The Operetta Empire: Music Theater in Early Twentieth-Century Vienna. University of California Press. ISBN 9780520379121. Supported by the AMS 75 PAYS Endowment.  Anna Maria Busse Berger, The Search for Medieval Music in Africa and Germany, 1891-1961: Scholars, Singers, Missionaries. University of Chicago Press. ISBN 9780226740348. Supported by the Martin Picker Fund Endowment.  Carol Vernallis, Holly Rogers, Lisa Perrott, eds., Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. Bloomsbury Press. ISBN 9781501341007. Supported by the Claire and Barry Brook Fund Endowment.  Lydia R. Hamessley, Unlikely Angel: Songs of Dolly Parton. University of Illinois Press. ISBN 9780252085420. Supported by the Endowment.  Matthew BaileyShea, Lines and Lyrics: An Introduction to Poetry and Song. Yale University Press. Supported by the Endowment.  Rebecca Dirksen, After the Dance, the Drums are Heavy: Carnival, Politics, and Musical Engagement in Haiti. Oxford University Press. ISBN 9780190928063. Supported by the AMS 75 PAYS Endowment.  Ryan Dohoney, Saving Abstraction: Morton Feldman, the de Menils, and the Rothko Chapel. Oxford University Press. ISBN 9780190948573. Supported by the AMS 75 PAYS Endowment.  Mark Ferraguto, Beethoven 1806. Oxford University Press. ISBN 9780190947187. Supported by the AMS 75 PAYS Endowment.  K.E. Goldschmitt, Bossa Mundo: Brazilian Music in Transnational Media Industries. Oxford University Press. ISBN 9780190923525. Supported by the AMS 75 PAYS Endowment.  Glenda Goodman, Cultivated by Hand: Amateur Musicians in the Early American Republic. Oxford University Press. ISBN 9780190884901. Supported by the AMS 75 PAYS Endowment.  Emily Richmond Pollock, Opera After the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany. Oxford University Press. ISBN 9780190063733. Supported by the AMS 75 PAYS Endowment.  Bonny H. Miller, Augusta Browne: Composer and Woman of Letters in Nineteenth-Century America. University of Rochester Press. ISBN 9781580469722. Supported by the AMS 75 PAYS Endowment.  Maureen Mahon, Black Diamond Queens: African American Women and Rock and Roll. Duke University Press. ISBN 9781478011224. Supported by the Claire and Barry Brook Endowment.  Leta E. Miller and J. Michele Edwards, Chen Yi. University of Illinois Press. ISBN 9780252085444. Supported by the Donna Cardamone Jackson Endowment.  Peter Mercer-Taylor, Gems of Exquisite Beauty: German Classical Music in American Hymnody, 1819-1861. Oxford University Press. ISBN 9780190842796. Supported by the John Daverio Endowment.  Mark Evan Bonds, The Beethoven Syndrome: Hearing Music as Autobiography. Oxford University Press. ISBN 9780190068479. Supported by the Joseph Kerman Endowment.  Emanuele Senici, Music in the Present Tense: Rossini’s Italian Operas in Their Time. University of Chicago Press. ISBN 9780226663548. Supported by the Joseph Kerman Endowment.  Rachel May Golden, Mapping Medieval Identities in Occitanian Crusade Song. Oxford University Press. ISBN 9780190948610. Supported by the Kenneth Levy Endowment.  W. Dean Sutcliffe, Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends. Cambridge University Press. ISBN 9781139012126. Supported by the Margarita M. Hanson Endowment.  Daniel Goldmark and Kevin C. Karnes, eds., Korngold and His World. Princeton University Press. ISBN 9780691198286. Supported by the Otto Kinkeldey Endowment.  Daniel Abraham, Alicia Kopfstein-Penk and Andrew H. Weaver, Leonard Bernstein and Washington, DC: Works, Politics, and Performances. University of Rochester Press. ISBN 9781580469739. Supported by the Endowment.  Scott Messing, Self-Quotation in Schubert: Ave Maria, the Second Piano Trio, and Other Works. University of Rochester Press. ISBN 9781580469654. Supported by the John DaverioEndowment.  Alisha Lola Jones, Flaming?: The Peculiar Theo-Politics of Fire and Desire in Black Male Gospel Performance. Oxford University Press. ISBN 9780190065416. Supported by the AMS 75 PAYSEndowment.  Dylan Robinson, Hungry Listening: Resonant Theory for Indigenous Sound Studies. University of Minnesota Press. ISBN 9781517907693. Supported by the AMS 75 PAYSEndowment.  Elizabeth A. Clendinning, American Gamelan and the Ethnomusicological Imagination. University of Illinois Press. ISBN 9780252085291. Supported by the AMS 75 PAYSEndowment.  John Paul Ito, Focal Impulse Theory: Musical Expression, Meter, and the Body. Indiana University Press. ISBN 9780253049957. Supported by the AMS 75 PAYSEndowment.  Kate Guthrie, The Art of Appreciation: Music and Middlebrow Culture in Modern Britain. University of California Press. ISBN 9780520351677. Supported by the AMS 75 PAYSEndowment.  Paula Musegades, Aaron Copland's Hollywood Film Scores. University of Rochester Press. ISBN 9781580469913. Supported by the AMS 75 PAYSEndowment.  Sarah Justina Eyerly, Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. Indiana University Press. ISBN 9780253047694. Supported by the AMS 75 PAYSEndowment.  Valeria De Lucca, The Politics of Princely Entertainment: Music and Theater in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689). Oxford University Press. ISBN 9780190631130. Supported by the AMS 75 PAYSEndowment.  Naomi Graber, Kurt Weill’s America. Oxford University Press. ISBN 9780190906580. Supported by the Endowment.  Julianne Lindberg, Pal Joey: The History of a Heel. Oxford University Press. ISBN 9780190051204. Supported by the Endowment.  Klara Móricz, In Stravinsky’s Orbit: Responses to Modernism in Russian Paris. University of California Press. ISBN 9780520344426. Supported by the Endowment.  Pamela M. Potter, Christina Baade and Roberta Montemorra Marvin, eds., Music in World War II: Coping with Wartime in Europe and the United States. Indiana University Press. ISBN 9780253050267. Supported by the Endowment.  Evan Rapport, Damaged: Musicality and Race in Early American Punk. University Press of Mississippi. ISBN 9781496831224. Supported by the Endowment.  Robert W. Wason and Matthew Brown, Heinrich Schenker's Conception of Harmony. University of Rochester Press. ISBN 9781580465755. Supported by the Endowment.  Marcie Ray, Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater. University of Rochester Press. ISBN 9781580469883. Supported by the James R. Anthony Endowment.  Colin Roust, Georges Auric: A Life in Music and Politics. Oxford University Press. ISBN 9780190607777. Supported by the James R. Anthony Endowment.  R. Allen Lott, Brahms's A German Requiem: Reconsidering Its Biblical, Historical, and Musical Contexts. Cambridge University Press. ISBN 9781787446724. Supported by the Joseph Kerman Endowment.  Raquel Rojo Carrillo, Text, Liturgy, and Music in the Hispanic Rite: The Vespertinus Genre. Oxford University Press. ISBN 9780197503768. Supported by the Kenneth Levy Endowment.  Linda Phyllis Austern, Both from the Ears and Mind: Thinking about Music in Early Modern England. University of Chicago Press. ISBN 9780226701592. Supported by the Martin Picker Endowment.  Tracy McMullen, Haunthenticity: Musical Replay and the Fear of the Real. Wesleyan University Press. ISBN 9780819578525. Supported by the AMS 75 PAYS Endowment.  Matthew Mugmon, Aaron Copland and the American Legacy of Gustav Mahler. University of Rochester Press. ISBN 9781580469647. Supported by the AMS 75 PAYS Endowment.  Abby Anderton, Rubble Music: Occupying the Ruins of Postwar Berlin, 1945-1950. Indiana University Press. ISBN 9780253042439. Supported by the AMS 75 PAYS Endowment.  Melissa D. Burrage, The Karl Muck Scandal: Classical Music and Xenophobia in World War I America. University of Rochester Press. ISBN 9781580469500. Supported by the AMS 75 PAYS Endowment.  Marianna Ritchey, Composing Capital: Classical Music in the Neoliberal Era. University of Chicago Press. ISBN 9780226640068. Supported by the AMS 75 PAYS Endowment.  David Yearsley, Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks. University of Chicago Press. ISBN 9780226617701. Supported by the Margarita M. Hanson Endowment.  Andrew Walkling, English Dramatick Opera, 1661–1706. Routledge. ISBN 9781138696549. Supported by the Margarita M. Hanson Endowment.  Jerome Camal, Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics. University of Chicago Press. ISBN 9780226631639. Supported by the AMS 75 PAYS Endowment.  Suzanne Robinson, Peggy Glanville-Hicks: Composer and Critic. University of Illinois Press. ISBN 978-0-252-04256-0. Supported by the Manfred Bukofzer Endowment.  Jake Johnson, Mormons, Musical Theater, and Belonging in America. University of Illinois Press. ISBN 978-0-252-04251-5. Supported by the AMS 75 PAYS Endowment.  François Lesure, Claude Debussy: A Critical Biography. University of Rochester Press. ISBN 9781580469036. Supported by the James R. Anthony Endowment.  Thomas Christensen, Stories of Tonality in the Age of François-Joseph Fétis. University of Chicago Press. ISBN 9780226626925. Supported by the James R. Anthony Endowment.  Jane D. Hatter, Composing Community in Late Medieval Music: Self-Reference, Pedagogy and Practice. Cambridge University Press. ISBN 9781108474917. Supported by the Martin Picker Endowment.  James Porter, Beyond Fingal’s Cave: Ossian in the Musical Imagination. Boydell & Brewer. ISBN 9781580469456. Supported by the Otto Kinkeldey Endowment.  Michael Lasser, City Songs and American Life, 1900-1950. University of Rochester Press. ISBN 9781580469524. Supported by the John Daverio Endowment.  Emily H. Green, Dedicating Music 1785–1850 . University of Rochester Press. ISBN 9781580469494. Supported by the AMS 75 PAYS Endowment.  Laura Watson, Paul Dukas: Composer and Critic. Boydell & Brewer. ISBN 9781783273836. Supported by the Endowment.  Nicole Grimes, Brahms's Elegies: The Poetics of Loss in Nineteenth-Century German Culture. Cambridge University Press. ISBN 9781108589758. Supported by the Lloyd Hibberd Endowment.  Benjamin Tausig, Bangkok is Ringing: Sound, Space, and Media at Thailand’s Red Shirt Protests. Oxford University Press. ISBN 9780190847524. Supported by the AMS 75 PAYS Endowment.  Mark Burford, Mahalia Jackson and the Black Gospel Field. Oxford University Press. ISBN 9780190634902. Supported by the AMS 75 PAYS Endowment.  Luigi Nono, Nostalgia for the Future: Luigi Nono's Selected Writings and Interviews. University of California Press. ISBN 9780520291195. Supported by the Joseph Kerman Endowment.  John R. Near, Widor on Organ Performance Practice and Technique. University of Rochester Press. ISBN 9781580469449. Supported by the James R. Anthony Endowment.  Joshua Tucker, Making Music Indigenous: Popular Music in the Peruvian Andes. University of Chicago Press. ISBN 9780226607160. Supported by the Lloyd Hibberd Endowment.  Suzanne Aspden, ed., Operatic Geographies: The Place of Opera and the Opera House. University of Chicago Press. ISBN 9780226595962. Supported by the Manfred Bukofzer Endowment.  Tara Browner and Thomas Riis, eds., Rethinking American Music. University of Illinois Press. ISBN 978-0-252-04232-4. Supported by the Lloyd Hibberd Endowment.  Katherine Baber, Leonard Bernstein and the Language of Jazz. University of Illinois Press. ISBN 978-0-252-04237-9. Supported by the AMS 75 PAYS Endowment.  Hyun Joo Kim, Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White. University of Rochester Press. ISBN 9781580469463. Supported by the AMS 75 PAYS Endowment.  H. Colin Slim, Stravinsky in the Americas: Transatlantic Tours and Domestic Excursions (1925-1945). University of California Press. ISBN 9780520299924. Supported by the Lloyd Hibberd Endowment.  Margaret R. Butler, Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform. University of Rochester Press. ISBN 9781580469012. Supported by the Donna Cardamone Jackson Endowment.  Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde. Oxford University Press. ISBN 9780190868192. Supported by the AMS 75 PAYS Endowment.  Samuel Llano, Discordant Notes: Marginality and Social Disorder in Madrid, 1850-1930 . Oxford University Press. ISBN 9780199392469. Supported by the Otto Kinkeldey Endowment.  Jim Sykes, The Musical Gift: Sonic Generosity in Post-War Sri Lanka. Oxford University Press. ISBN 9780190912024. Supported by the AMS 75 PAYS Endowment.  Joanna K. Love, Soda Goes Pop: Pepsi Cola, Advertising, and Popular Music. University of Michigan Press. ISBN 9780472124329. Supported by the AMS 75 PAYS Endowment.  Lorraine Plourde, Tokyo Listening: Sound and Sense in Contemporary Japan. Wesleyan University Press. ISBN 9780819578839. Supported by the AMS 75 PAYS Endowment.  Hilde Roos, La Traviata Affair: Opera in the Age of Apartheid. University of California Press. ISBN 9780520299894. Supported by the AMS 75 PAYS Endowment.  Ilana Webster-Kogen, Citizen Azmari: Making Ethiopian Music in Tel Aviv. Wesleyan University Press. ISBN 9780819578327. Supported by the AMS 75 PAYS Endowment.  Lloyd Whitesell, Wonderful Design: Glamour in the Hollywood Musical. Oxford University Press. ISBN 9780190843823. Supported by the Claire and Barry Brook Endowment.  Marina Frolova-Walker, Rimsky-Korsakov and His World. Princeton University Press. ISBN 9780691182704. Supported by the Dragan Plamenac Endowment.  Ian Woodfield, Cabals and Satires: Mozart's Comic Operas in Vienna. Oxford University Press. ISBN 9780190692636. Supported by the Gustave Reese Endowment.  Lincoln Ballard and Matthew Bengtson with John Bell Young, The Alexander Scriabin Companion: History, Performance, and Lore. Rowman & Littlefield. ISBN 9781442232617. Supported by the Lloyd Hibberd Endowment.  Robert L. Kendrick, Fruits of the Cross: Passiontide Music Theater in Habsburg Vienna. University of California Press. ISBN 9780520297579. Supported by the Margarita M. Hanson Endowment.  William Brooks, Christina Bashford, and Gayle Magee, eds., Over Here, Over There: Transatlantic Conversations on the Music of World War I. University of Illinois Press. ISBN 9780252084546. Supported by the Otto Kinkeldey Endowment.  Andrea F. Bohlman, Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland. Oxford University Press. ISBN 9780190084080. Supported by the AMS 75 PAYS Endowment.  Christopher Washburne, Latin Jazz: The Other Jazz. Oxford University Press. ISBN 9780195371628. Supported by the AMS 75 PAYS Endowment.  Gabriela Cruz, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera. Oxford University Press. ISBN 9780190915056. Supported by the AMS 75 PAYS Endowment.  Jacqueline Avila, Cinesonidos: Film Music and National Identity During Mexico's Época de Oro. Oxford University Press. ISBN 9780190671310. Supported by the AMS 75 PAYS Endowment.  Kenneth M. Smith, Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin-de-Siècle Tonality. Oxford University Press. ISBN 9780190923426. Supported by the AMS 75 PAYS Endowment.  Mitchell Ohriner, Flow: The Rhythmic Voice in Rap Music. Oxford University Press. ISBN 9780190670412. Supported by the AMS 75 PAYS Endowment.  Tes Slominski, Trad Nation: Gender, Sexuality, and Race in Irish Traditional Music. Wesleyan University Press. ISBN 9780819579270. Supported by the AMS 75 PAYS Endowment.  Vincent L. Stephens, Rocking the Closet: How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music. University of Illinois Press. ISBN 9780252084638. Supported by the AMS 75 PAYS Endowment.  Laura Lohman, Hail Columbia! American Music and Politics in the Early Nation. Oxford University Press. ISBN 9780190930615. Supported by the Claire and Barry Brook Endowment.  Kip Lornell, Capital Bluegrass: Hillbilly Music Meets Washington, DC. Oxford University Press. ISBN 9780199863112. Supported by the Donna Cardamone Jackson Endowment.  Kyle Gann, The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician. University of Illinois Press. ISBN 9780252084416. Supported by the Dragan Plamenac Endowment.  Thomas Irvine, Listening to China: Sound and the Sino-Western Encounter, 1770-1839. University of Chicago Press. ISBN 9780226667126. Supported by the Gustave Reese Endowment.  Harry Liebersohn, Music and the New Global Culture: From the Great Exhibitions to the Jazz Age. University of Chicago Press. ISBN 9780226649276. Supported by the Joseph Kerman Endowment.  Sarah Collins, Lateness and Modernism: Untimely Ideas about Music, Literature and Politics in Interwar Britain. Cambridge University Press. ISBN 9781108481496. Supported by the Manfred Bukofzer Endowment.  Benjamin Piekut, Henry Cow: The World is a Problem. Duke University Press. ISBN 9781478004660. Supported by the Manfred Bukofzer Endowment.  Michael B. Silvers, Voices of Drought: The Politics of Music and Environment in Northeastern Brazil. University of Illinois Press. ISBN 978-0-252-04208-9. Supported by the Dragan Plamenac Endowment.  Joseph Straus, Broken Beauty: Musical Modernism and the Representation of Disability. Oxford University Press. ISBN 9780190871208. Supported by the Otto Kinkeldey Endowment.  James Buhler, Theories of the Soundtrack. Oxford University Press. ISBN 9780199371075. Supported by the Gustave Reese Endowment.  Mary Ann Smart, Waiting for Verdi: Opera and Political Opinion in Nineteenth- Century Italy, 1815-1848. University of California Press. ISBN 9780520276253. Supported by the Otto Kinkeldey Endowment.  Katharina Uhde, The Music of Joseph Joachim. Boydell & Brewer. ISBN 9781783272846. Supported by the AMS 75 PAYS Endowment.  Angela Impey, Song Walking: Women, Music, and Environmental Justice in an African Borderland. University of Chicago Press. ISBN 9780226537962. Supported by the Gustave Reese Endowment.  François de Médicis and Steven Huebner, Debussy's Resonance. University of Rochester Press. ISBN 9781580465250. Supported by the James R. Anthony Endowment.  K. Dawn Grapes, With Mornefull Musique: Funeral Elegies in Early Modern England. Boydell & Brewer. ISBN 9781783273515. Supported by the Margarita M. Hanson Endowment.  Jennifer Ronyak, Intimacy, Performance, and the Lied in the Early Nineteenth Century. Indiana University Press. ISBN 978-0-253-03577-6. Supported by the AMS 75 PAYS Endowment.  Holly Watkins, Musical Vitalities: Ventures in a Biotic Aesthetics of Music. University of Chicago Press. ISBN 9780226594705. Supported by the Joseph Kerman Endowment.  Michael Christoforidis and Elizabeth Kertesz, Carmen and the Staging of Spain: Recasting Bizet's Opera in the Belle Epoque. Oxford University Press. ISBN 9780195384567. Supported by the Donna Cardamone Jackson Endowment.  Tina Bucuvalas, ed., Greek Music in America. University Press of Mississippi. ISBN 9781496819703. Supported by the AMS 75 PAYS Endowment.  Katherine In-Young Lee, Dynamic Korea and Rhythmic Form. Wesleyan University Press. ISBN 978-0819577054. Supported by the AMS 75 PAYS Endowment.  Jason Yust, Organized Time: Rhythm, Tonality, and Form. Oxford University Press. ISBN 9780190696481. Supported by the AMS 75 PAYS Endowment.  Joshua Walden, Musical Portraits: Composing Identity in Contemporary and Experimental Music. Oxford University Press. ISBN 9780190653507. Supported by the Manfred Bukofzer Endowment.  Michael D. Doubler, Dixie Dewdrop: The Uncle Dave Macon Story. University of Illinois Press. ISBN 9780252083655. Supported by the Dragan Plamenac Endowment.  Lee Rothfarb and Christoph Landerer, Eduard Hanslick’s On the Musically Beautiful: A New Translation. Oxford University Press. ISBN 9780190698188. Supported by the Gustave Reese Endowment.  John J. Sheinbaum, Good Music: What It Is and Who Gets to Decide. University of Chicago Press. ISBN 9780226593388. Supported by the John Daverio Endowment.  Michael Maul, Bach's Famous Choir: The Saint Thomas School in Leipzig, 1212-1804. The Boydell Press. ISBN 9781783271696. Supported by the Margarita M. Hanson Endowment.  Michael Birenbaum Quintero, Rites, Rights, and Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific. Oxford University Press. ISBN 9780199913923. Supported by the AMS 75 PAYS Endowment.  Gurminder Kaur Bhogal, Claude Debussy’s 'Clair de Lune'. Oxford University Press. ISBN 9780190696061. Supported by the James R. Anthony Endowment.  Naomi André, Black Opera: History, Power, Engagement University of Illinois Press. ISBN 978-0-252-04192-1. Supported by the Manfred Bukofzer Endowment.  Patrick B. Mullen, Right to the Juke Joint: A Personal History of American Music. University of Illinois Press. ISBN 978-0-252-04164-8. Supported by the Lloyd Hibberd Endowment.  Valerio Morucci, Baronial Patronage of Music in Early Modern Rome. Routledge. ISBN 9781138235335. Supported by the Gustave Reese Endowment.  Sandra Jean Graham, Spirituals and the Birth of a Black Entertainment Industry. University of Illinois Press. ISBN 978-0-252-04163-1. Supported by the AMS 75 PAYS Endowment.  Olivia Bloechl, Opera and the Political Imaginary in Old Regime France. University of Chicago Press. ISBN 9780226522753. Supported by the James R. Anthony Endowment.  Kimberly Francis, Nadia Boulanger and the Stravinskys: A Selected Correspondence. University of Rochester Press. ISBN 9781580465960. Supported by the Manfred Bukofzer Endowment.  Marié Abe, Resonances of Chindon-ya: Sound, Space, and Sociality in Contemporary Japan. Wesleyan University Press. ISBN 978-0-8195-7778-8. Supported by the AMS 75 PAYS Endowment.  Esther Morgan-Ellis, Everybody Sing! Community Singing in the American Picture Palace. University of Georgia Press. ISBN 978-0-8203-5204-6. Supported by the AMS 75 PAYS Endowment.  Marisol Berríos-Miranda, Shannon Dudley, and Michelle Habell-Pallán, American Sabor: Latinos in U.S. Popular Music. University of Washington Press. ISBN 9780295742618. Supported by the Otto Kinkeldey Endowment.  Gillian M. Rodger, Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage. University of Illinois Press. ISBN 978-0-252-04151-8. Supported by the Gustave Reese Endowment.  Nathan Platte, Making Music in Selznick’s Hollywood . Oxford University Press. ISBN 9780199371112. Supported by the AMS 75 PAYS Endowment.  Angela Fiore, 'Non senza scandalo delli convicini': pratiche musicali nelle istitzioni religiose femminili a Napoli 1650-1750. Peter Lang. ISBN 978-3034323406. Supported by the AMS 75 PAYS Endowment.  Joanne Cormac, Liszt and the Symphonic Poem . Cambridge University Press. ISBN 9781107181410. Supported by the Claire and Barry Brook Endowment.  Katherine Preston, Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America. Oxford University Press. ISBN 9780199371655. Supported by the Claire and Barry Brook Endowment. An AMS Studies book.  Michael Gallope, Deep Refrains: Music, Philosophy, and the Ineffable. University of Chicago Press. ISBN 9780226483559. Supported by the AMS 75 PAYS Endowment.  Gerhard Kubik, Jazz Transatlantic, volume I. University Press of Mississippi. ISBN 9781628462302 . Supported by the Manfred Bukofzer Endowment.  Ellen Lockhart, Animation, Plasticity, and Music in Italy, 1770-1830. University of California Press. ISBN 9780520284432. Supported by the AMS 75 PAYS Endowment.  Daniel Chua, Beethoven and Freedom. Oxford University Press. ISBN 9780199769322. Supported by the Otto Kinkeldey Endowment.  J. Griffith Rollefson, Flip the Script: European Hip Hop and the Politcs of Postcoloniality. University of Chicago Press. ISBN 9780226496184. Supported by the AMS 75 PAYS Endowment.  Stefan Fiol, Recasting Folk in the Himalayas: Indian Music, Media, and Social Mobilitiy. University of Illinois Press. ISBN 978-0-252-04120-4. Supported by the AMS 75 PAYS Endowment.  Richard Jones-Bamman, Building New Banjos for an Old-Time World. University of Illinois Press. ISBN 978-0-252-04130-3. Supported by the AMS 75 PAYS Endowment.  Bethany Beardslee and Minna Zallman Proctor, I sang the Unsingable: My Life in Twentieth-Century Music. University of Rochester Press. ISBN 9781580469005. Supported by the John Daverio Endowment.  Denise Von Glahn, Libby Larsen: Composing an American Life. University of Illinois Press. ISBN 978-0-252-04115-0. Supported by the Dragan Plamenac Endowment.  Christopher Doll, Hearing Harmony: Toward a Tonal Theory for the Rock Era. University of Michigan Press. ISBN 978-0-472-07352-8. Supported by the AMS 75 PAYS Endowment.  David Beach, Schubert's Mature Instrumental Music: A Theorist's Perspective. University of Rochester Press. ISBN 9781580465922. Supported by the Otto Kinkeldey Endowment.  Erinn E. Knyt, Ferruccio Busoni and his Legacy. Indiana University Press. ISBN 978-0-253-02628-6. Supported by the AMS 75 PAYS Endowment.  Marian Wilson Kimber, The Elocutionists: Women, Music, and the Spoken Word University of Illinois Press. ISBN 978-0-252-04071-9. Supported by the AMS 75 PAYS Endowment.  Andrew Flory, I Hear a Symphony: Motown and Crossover R&B. University of Michigan Press. ISBN 978-0-472-11741-3. Supported by the Dragan Plamenac Endowment.  Marianne Wheeldon, Debussy’s Legacy and the Construction of Reputation. Oxford University Press. ISBN 9780190631222. Supported by the Dragan Plamenac Endowment.  Andrew Talle, Beyond Bach: music and everyday life in the eighteenth century. University of Illinois Press. ISBN 978-0-252-04084-9. Supported by the AMS 75 PAYS Endowment.  Benedict Taylor, Towards a Harmonic Grammar of Grieg’s Late Piano Music: Nature and Nationalism. Routledge. ISBN 9781472456588. Supported by the Joseph Kerman Endowment.  Kelly St. Pierre, Bedřich Smetana: Myth, Music, and Propaganda. Boydell & Brewer. ISBN 9781580465106. Supported by the AMS 75 PAYS Endowment.  Jean R. Freedman, Peggy Seeger: A Life of Music, Love, and Politics. University of Illinois Press. ISBN 978-0-252-04075-7. Supported by the Manfred Bukofzer Endowment.  Johann Gottfried Herder and Philip Bohlman, Song Loves the Masses: Herder on Music and Nationalism. University of California Press. ISBN 9780520234949. Supported by the John Daverio Endowment.  Seth Brodsky, From 1989, or European Music & the Modernist Unconscious. University of California Press. ISBN 9780520279360. Supported by the AMS 75 PAYS Endowment.  Nancy Yunhwa Rao, Chinatown Opera Theater in North America. University of Illinois Press. ISBN 978-0-252-04056-6. Supported by the AMS 75 PAYS Endowment.  Sharon Ammen, May Irwin: Singing, Shouting, and the Shadow of Minstrelsy. University of Illinois Press. ISBN 9780252040658. Supported by the AMS 75 PAYS Endowment.  Sydney Hutchinson, Tigers of a Different Stripe: Performing Gender in Dominican Music. University of Chicago Press. ISBN 9780226405322. Supported by the Manfred Bukofzer Endowment.  Eva Moreda Rodríguez, Music Criticism and Music Critics in Early Francoist Spain. Oxford University Press. ISBN 9780190215866. Supported by the AMS 75 PAYS Endowment.  Rebecca Harris-Warrick, Dance and Drama in French Baroque Opera: A History. Cambridge University Press. ISBN 9781107137899. Supported by the James R. Anthony Endowment.  Eliot Bates, Digital Tradition: Arrangement and Labor in Istanbul’s Recording Studio Culture . Oxford University Press. ISBN 9780190215736. Supported by the Manfred Bukofzer Endowment.  Walter Zev. Feldman, Klezmer: Music, History, and Memory . Oxford University Press. ISBN 9780190244514. Supported by the AMS 75 PAYS Endowment.  Marc Gidal, Spirit song : Afro-Brazilian religious music and boundaries. Oxford University Press. ISBN 9780199368228. Supported by the AMS 75 PAYS Endowment.  Daniel Harrison, Pieces of Tradition: An Analysis of Contemporary Tonal Music. Oxford University Press. ISBN 9780190244460. Supported by the Lloyd Hibberd Endowment.  Chérie Rivers Ndaliko, Necessary Noise: Art, Music, and Charitable Imperialism in the East of Congo. Oxford University Press. ISBN 9780190499570. Supported by the AMS 75 PAYS Endowment.  Jesus A. Ramos-Kittrell, Playing in the Cathedral: Music, Race, and Social Status in Eighteenth-Century Mexico City. Oxford University Press. ISBN 9780190236816. Supported by the AMS 75 PAYS Endowment.  Markus Rathey, Johann Sebastian Bach’s Christmas Oratorio: Music, Theology, Culture . Oxford University Press. ISBN 9780190275259. Supported by the Lloyd Hibberd Endowment.  Tamara Roberts, Resounding Afro-Asia: Interracial Music and the Performance of Unity. Oxford University Press. ISBN 9780199377411. Supported by the Dragan Plamenac Endowment. 
 Benjamin Teitelbaum, Lions of the North: Music and New Nordic Radical Nationalism . Oxford University Press. ISBN 9780190212599. Supported by the AMS 75 PAYS Endowment.  Joan Titus, The early film music of Dmitry Shostakovich. Oxford University Press. ISBN 9780199315147. Supported by the AMS 75 PAYS Endowment.  Nicholas Tochka, Audible States: The Political Economy of Popular Music-Making in Albania Since 1945 . Oxford University Press. ISBN 9780190467814. Supported by the AMS 75 PAYS Endowment.  Kofi Agawu, The African Imagination in Music. Oxford University Press. ISBN 9780190263218. Supported by the Manfred Bukofzer Endowment.  Roger Moseley, Keys to Play: Music as a Ludic Medium from Apollo to Nintendo. University of California Press. ISBN 9780520291249. Supported by the AMS 75 PAYS Endowment.  Karol Berger, Beyond Reason: Wagner contra Nietzsche. University of California Press. ISBN 9780520292758. Supported by the Joseph Kerman Endowment.  Rebecca Cypess, “Curious and Modern Inventions”: Music and Instrumentality in Early Modern Italy. University of Chicago Press. ISBN 9780226319445. Supported by the AMS 75 PAYS Endowment.  Luisa Nardini, Interlacing Traditions: Neo-Gregorian Chant in Beneventan Manuscripts. Pontifical Institute of Medieval Studies. ISBN 9780888442055. Supported by the AMS 75 PAYS Endowment.  Richard Kramer, Cherubino's Leap: In Search of the Enlightenment Moment. University of Chicago Press. ISBN 9780226377896. Supported by the Otto Kinkeldey Endowment.  Emily Wilbourne, Seventeenth-Century Opera and the Sound of the Commedia dell’Arte. University of Chicago Press. ISBN 9780226401577. Supported by the AMS 75 PAYS Endowment.  Deirdre Loughridge, Haydn’s Sunrise, Beethoven’s Shadow: Audiovisual Culture and the Emergence of Romanticism. University of Chicago Press. ISBN 9780226337098. Supported by the AMS 75 PAYS Endowment.  Alexander Stefaniak, Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany. Indiana University Press. ISBN 9780253021991. Supported by the AMS 75 PAYS Endowment.  Donald G. Traut, Stravinsky's "Great Passacaglia": Recurring Elements in the Concerto for Piano and Wind Instruments. University of Rochester Press. ISBN 9781580465137. Supported by the AMS 75 PAYS Endowment.  Andrew R. Walkling, Masque and Opera in England, 1656-1688. Routledge. ISBN 9781472446534. Supported by the AMS 75 PAYS Endowment.  Giorgio Biancorosso, Situated Listening: The Sound of Absorption in Classical Cinema. Oxford University Press. ISBN 9780195374711. Supported by the AMS 75 PAYS Endowment.  John Wriggle, Blue Ryythm Fantasy: Big Band Jazz Arranging in the Swing Era. University of Illinois Press. ISBN 978-0-252-04040-5. Supported by The AMS 75 PAYS Endowment.  Don M. Randel (Editor), Matthew Shaftel (Editor), Susan Forscher Weiss, A Cole Porter Companion. University of Illinois Press . ISBN 978-0252081583. Supported by the Donna Cardamone Jackson Endowment.  Gavin Steingo, Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa. University of Chicago Press. ISBN 978-0226362540. Supported by AMS 75 PAYS Endowment.
 Jeffrey Summit, Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism. Oxford University Press. ISBN 978-0190497088. Supported by the Dragan Plamenac
Endowment.
 Colleen Reardon, A Sociable Moment: Opera and Festive Culture in Baroque Siena. Oxford University Press. ISBN 978-0190496302. Supported by the Gustave Reese Endowment.
 Jean E. Snyder, [title]. University of Illinois Press. ISBN 978-0252039942. Supported by the Lloyd Hibberd Endowment.
 Jonathan Glasser, The Lost Paradise: Andalusi Music in Urban North Africa. University of Chicago Press. ISBN 978-0226327235. Supported by AMS 75 PAYS Endowment.
 Bruce Haynes and Geoffrey Burgess, The Pathetick Musician: Moving an Audience in the Age of Eloquence. Oxford University Press. ISBN 978-0199373734. Supported by the Margarita M. Hanson Endowment.
 Thomas H. Greenland, Jazzing: New York City's Unseen Scene. University of Illinois Press. ISBN 978-0252081606. Supported by AMS 75 PAYS Endowment.
 Jeffrey Swinkin, Performative Analysis: Reimagining Music Theory for Performance. University of Rochester Press. ISBN 978-1580465267. Supported by AMS 75 PAYS Endowment.  Thomas Patteson, Instruments for New Music: Sound, Technology, and Modernism . University of California Press. ISBN 978-0520288027. Supported by AMS 75 PAYS Endowment.
 Bradley Shope, American Popular Music in Britain's Raj. University of Rochester Press. ISBN 978-1580465489. Supported by AMS 75 PAYS Endowment.  Lawrence Kramer, The Thought of Music. University of California Press. ISBN 978-0520288805. Supported by the Joseph Kerman Endowment.  Douglas Shadle, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise. Oxford University Press. ISBN 978-0199358649. Supported by AMS 75 PAYS Endowment.  Kimberly Francis, Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon. Oxford University Press. ISBN 978-0199373697. Supported by AMS 75 PAYS Endowment.  Kate van Orden, Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe. Oxford University Press. ISBN 978-0199360642. Supported by the Margarita M. Hanson Endowment.  Nina Sun Eidsheim, Sensing Sound: Singing and Listening as Vibrational Practice. Duke University Press. ISBN 978-0822360612. Supported by AMS 75 PAYS Endowment.  Paul F. Rice, Venanzio Rauzzini in Britain. University of Rochester Press. ISBN 978-1580465328. Supported by the Margarita M. Hanson Endowment.  J. Martin Daughtry, Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq Oxford University Press. ISBN 978-0199361496. Supported by AMS 75 PAYS Endowment.  Bryan Proksch, Reviving Haydn. University of Rochester Press. ISBN 978-1580465120. Supported by AMS 75 PAYS Endowment.  Judy Lochhead, Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis. Routledge. ISBN 978-1138824331. Supported by the Lloyd Hibberd Endowment.  Ronnie Gilbert, Ronnie Gilbert: A Radical Life in Song. University of California Press. ISBN 978-0520253087. Supported by the Gustave Reese Endowment.  Ryan Thomas Skinner, Bamako Sounds: The Afropolitan Ethics of Malian Music. University of Minnesota Press. ISBN 978-0816693504. Supported by AMS 75 PAYS Endowment.  Sarah Gutsche-Miller, Parisian Music-Hall Ballet, 1871-1913. University of Rochester Press . ISBN 978-1580464420. Supported by AMS 75 PAYS Endowment.  Tanya Merchant, Women Musicians of Uzbekistan: From Courtyard to Conservatory . University of Illinois Press. ISBN 978-0252081064. Supported by AMS 75 PAYS Endowment.  Paul Schleuse, Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi. Indiana University Press. ISBN 978-0253015013. Supported by the Margarita M. Hanson Endowment.  Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities. University of Illinois Press. ISBN 978-0252039225. Supported by AMS 75 PAYS Endowment.  Katelijne Schiltz, Music and Riddle Culture in the Renaissance. Cambridge University Press. ISBN 978-1107082298. Supported by the Martin Picker Endowment.  Christopher Alan Reynolds, Wagner, Schumann, and the Lessons of Beethoven's Ninth. University of California Press. ISBN 978-0520285569. Supported by the Joseph Kerman Endowment.  Martha Feldman, The Castrato: Reflections on Natures and Kinds. University of California Press. ISBN 978-0520279490. Supported by the Gustave Reese Endowment.  Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet. Cambridge University Press. ISBN 978-1107039667. Supported by the Otto Kinkeldey Endowment.  Danielle Fosler-Lussier, Music in America's Cold War Diplomacy. University of California Press. ISBN 978-0520284135. Supported by the Gustave Reese Endowment.  Sharon Meredith, Tuk Music Tradition in Barbados. Ashgate Publishing. ISBN 978-1472440273. Supported by the Otto Kinkeldey Endowment.  Amy C. Beal, Johanna Beyer (American Composers). University of Illinois Press. ISBN 978-0252080722. Supported by the Manfred Bukofzer Endowment.  Jonathyne Briggs, Sounds French: Globalization, Cultural Communities and Pop Music, 1958-1980. Oxford University Press. ISBN 978-0199377060. Supported by AMS 75 PAYS Endowment.  Roger Mathew Grant, Beating Time and Measuring Music in the Early Modern Era. Oxford University Press. ISBN 9780199367283. Supported by the AMS 75 PAYS Endowment.  Lauren McGuire Jennings, Senza Vestimenta: The Literary Tradition of Trecento Song. Ashgate. ISBN 9781472418883. Supported by the AMS 75 PAYS Endowment.  Michael Alan Anderson, St. Anne in Renaissance Music: Devotion and Politics. Cambridge University Press. ISBN 978-1-107-64163-1. Supported by the Martin Picker Endowment.  Paul Berry, Brahms Among Friends: Listening, Performance, and the Rhetoric of Allusion. Oxford University Press, . (AMS Studies, 12). ISBN 9780199982646.  Daniel B. Sharp, Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil. Wesleyan University Press. ISBN 978-0819575029. Supported by AMS 75 PAYS Endowment.  Lawrence Bennett, ed., Denkmäler der Tonkunst (DTÖ) Ignaz Holzbauer: Hypermnestra. Akademische Druck- u. Verlagsanstalt Graz. ISBN 979-0501072910. Supported by the Margarita M. Hanson Endowment.  Meredith Kirkpatrick, ed., Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar. University of Rochester Press. ISBN 978-1580465014. Supported by the Lloyd Hibberd Endowment.  Geoffrey Baker, El Sistema: Orchestrating Venezuela's Youth. Oxford University Press. ISBN 978-0199341559. Supported by the Manfred Bukofzer Endowment.  Mark Kroll, Ignaz Moscheles and the Changing Face of Musical Europe. Boydell Press. ISBN 978-1843839354. Supported by the Barry and Clair Brook Endowment.  Andrew Granade, Harry Partch, Hobo Composer. University of Rochester Press. ISBN 978-1580464956. Supported by AMS 75 PAYS Endowment.  Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934. Columbia University Press. ISBN 978-0231165839. Supported by AMS 75 PAYS Endowment.  Scott Messing, Marching to the Canon: The Life of Schubert's "Marche militaire". University of Rochester Press. ISBN 978-1580464383. Supported by the Endowment.  David Schulenberg, The Music of Carl Philipp Emanuel Bach. University of Rochester Press. ISBN 978-1580464819. Supported by the Otto Kinkeldey Endowment.  Ryan Raul Bañagale, Arranging Gershwin: Rhapsody in Blue and the Creation of an American Icon. Oxford University Press. ISBN 978-019997838-0. Supported by AMS 75 PAYS Endowment.  Katherine R. Syer, Wagner's Visions: Poetry, Politics, and the Psyche in the Operas through "Die Walküre". University of Rochester Press . ISBN 978-1580464826. Supported by the Otto Kinkeldey Endowment.  Ivan Raykoff, Dreams of Love: Playing the Romantic Pianist. Oxford University Press. ISBN 978-0199892679. Supported by the Otto Kinkeldey Endowment.  D. Rose Elder, Why the Amish Sing: Songs of Solidarity and Identity. Johns Hopkins University Press. ISBN 978-1421414652. Supported by the Lloyd Hibberd Endowment.  Julia Byl, Antiphonal Histories: Resonant Pasts in the Toba Batak Musical Present. Wesleyan University Press. ISBN 978-0819574794. Supported by AMS 75 PAYS Endowment.  Jennifer Fleeger, Mismatched Women: The Siren's Song Through the Machine. Oxford University Press. ISBN 978-019993691-5. Supported by AMS 75 PAYS Endowment.  William Cheng, Sound Play: Video Games and the Musical Imagination. Oxford University Press. ISBN 978-0199969975. Supported by AMS 75 PAYS Endowment.  Catherine Grant, Music Endangerment: How Language Maintenance Can Help. Oxford University Press . ISBN 978-0199352173. Supported by AMS 75 PAYS Endowment.  Carol J. Oja, Bernstein Meets Broadway: Collaborative Art in a Time of War. Oxford University Press. ISBN 978-0199862092. Supported by AMS 75 PAYS and the Dragan Plamenac Endowments.
 Nadine Hubbs, Rednecks, Queers, and Country Music . University of California Press . ISBN 978-0520280663. Supported by the Dragan Plamenac Endowment.  Matthew McDonald, Breaking Time's Arrow: Experiment and Expression in the Music of Charles Ives . Indiana University Press. ISBN 978-0253012739. Supported by AMS 75 PAYS Endowment.  Maureen A. Carr, After the Rite: Stravinsky's Path to Neoclassicism (1914-1925). Oxford University Press. ISBN 978-0199742936. Supported by the Otto Kinkeldey Endowment.  Wye Jamison Allanbrook, The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music. University of California Press. ISBN 978-0520274075. Supported by the Otto Kinkeldey Endowment.  Silvio J. dos Santos, Narratives of Identity in Alban Berg's Lulu. University of Rochester Press. ISBN 978-1-58046-483-3. Supported by AMS 75 PAYS Endowment.  David M. Powers, From Plantation to Paradise?: Cultural Politics and Musical Theatre in French Slave Colonies, 1764–1789. Michigan State University Press. ISBN 978-1611861204. Supported by the Lloyd Hibberd Endowment.  Catherine Saucier, A Paradise of Priests: Singing the Civic and Episcopal Hagiography of Medieval Liege. University of Rochester Press. ISBN 978-1580464802. Supported by AMS 75 PAYS Endowment.  Eric Chafe, J. S. Bach's Johannine Theology: The St. John Passion and the Cantatas for Spring 1725. Oxford University Press. ISBN 978-0199773343. Supported by the Margarita M. Hanson Endowment.  Peter Franklin, Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds University of California Press. ISBN 978-0520280397. Supported by the John Daverio Endowment.  Joshua S. Walden, Sounding Authentic: The Rural Miniature and Musical Modernism. Oxford University Press. ISBN 978-0199334667. Supported by the Barry and Clair Brook Endowment.  Lydia Goehr, "'—wie ihn uns Meister Dürer gemalt!' On Prophets, Painters, Musicians, and Mastersingers," Journal of the American Musicological Society, 64/1 (2011), 51–117. Supported by the Barry and Clair Brook Endowment  Jeremy Grimshaw, Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young. Oxford University Press. ISBN 0199740208.  Kristina Muxfeldt, Vanishing Sensibilities: Schubert, Beethoven, Schumann. Oxford University Press. ISBN 0199782423.  Daniel Cavicchi, Listening and Longing: Music Lovers in the Age of Barnum. Wesleyan University Press. ISBN 0819571628. Supported by the Endowment.  Susan Boynton, Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain. Oxford University Press. ISBN 0199754594.  Christina Baade, Victory through Harmony: The BBC and Popular Music in World War II. Oxford University Press. ISBN 0195372018. Supported by the AMS 75 PAYS Endowment.  Judith A. Peraino, Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut. Oxford University Press. ISBN 0199757240. Supported by the Margarita M. Hanson Endowment. ![[author]](/resource/resmgr/books/rothenberg.jpg) David J. Rothenberg, The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music. Oxford University Press. ISBN 0195399714. Supported by the AMS 75 PAYS Endowment.  Steven Rings, Tonality and Transformation (Oxford Studies in Music Theory). Oxford University Press. ISBN 019538427X. Supported by the AMS 75 PAYS Endowment.  Jane Alden, Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers (The New Cultural History of Music Series). Oxford University Press. ISBN 0195381521. Supported by the Gustave Reese Endowment.  Larry Hamberlin, Tin Pan Opera: Operatic Novelty Songs in the Ragtime Era. Oxford University Press. ISBN 0195338928. Supported by the Gustave Reese Endowment.  Leta E. Miller, Music & Politics in San Francisco: From the 1906 Quake to the Second World War. University of California Press. ISBN 978-0-520-26891-3. Supported by the Dragan Plamenac Endowment.  Larry Stempel, Showtime: A History of the Broadway Musical Theater. Norton. ISBN 978-0-393-06175-6. Supported by the Gustave Reese Endowment.  Willem Elders, ed., New Josquin Edition: Volume 18, Motets on Texts from the Old Testament: Texts from the Psalms 4 (The Collected Works of Josquin Des Prez). Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 9 789063 750695.  Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981. University of California Press. ISBN 0520268970. Supported by the Otto Kinkeldey Endowment.  Peter Franklin, Seeing through Music: Gender and Modernism in Classic Holly Film Scores. Oxford University Press. ISBN 0-19-538345-1. Supported by the Otto Kinkeldey Endowment.  Todd Decker, Music Makes Me: Fred Astaire and Jazz. University of California Press. ISBN 978-0-520-26890-6. Supported by AMS 75 PAYS and the Barry and Clair Brook Endowments.  Willem Elders, ed., New Josquin Edition: Volume 5, Masses Based on Secular Monophonic Songs (The Collected Works of Josquin Des Prez). Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 9 789063 750565.  Travis D. Stimeling, Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene. Oxford University Press. ISBN 978-0-19-974747-4. Supported by NEH Matching Funds.  Sabine Feisst, Schoenberg's New World: The American Years. Oxford University Press. ISBN 978-0-19-537238-0. Supported by the AMS 75 PAYS Endowment.  Benjamin Piekut, Experimentalism Otherwise: The New York Avant-Garde and Its Limits. University of California Press. ISBN 978-0520268517. Supported by the AMS 75 PAYS Endowment.  Stefanie Tcharos, Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome. Cambridge University Press. ISBN 978-0-521-11665-7. Supported by the Margarita M. Hanson Endowment.  Nancy Newman, Good Music for a Free People: The Germania Musical Society in Nineteenth-Century America. University of Rochester Press. ISBN 978-1-58046-345-4. Supported by the AMS 75 PAYS Endowment.  David Schulenberg, The Music of Wilhelm Friedemann Bach. University of Rochester Press. ISBN 978-1580463591. Supported by the Margarita M. Hanson Endowment.  Carol Muller, Shembe Hymns. University of KwaZulu-Natal Press. ISBN 978-1869141363. Supported by the Manfred Bukofzer Endowment.  Richard C. Jankowsky, Stambeli: Music, Trance, and Alterity in Tunisia (Chicago Studies in Ethnomusicology). The University of Chicago Press. ISBN 978-0-226-39217-2. Supported by AMS 75 PAYS Endowment. .jpg) Philip Lambert, To Broadway, To Life! The Musical Theater of Bock and Harnick. Oxford University Press. ISBN 978-0195390070. Supported by the Lloyd Hibberd Endowment. .jpg) Lawrence Kramer, Interpreting Music. University of California Press. ISBN 978-0520267060. Supported by the Dragan Plamenac Endowment.  Marc Benamou, RASA: Affect and Intuition in Javanese Musical Aesthetics (AMS Studies in Music). Oxford University Press. ISBN 978-0195189438.  Danuta Mirka, Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791 . Oxford University Press. ISBN 978-0195384925. Supported by the Lloyd Hibberd Endowment.  Yonatan Malin, Songs in Motion: Rhythm and Meter in the German Lied. Oxford University Press. ISBN 978-0195340051. Supported by the John Daverio Endowment.  Simon Morrison, The People's Artist: Prokofiev's Soviet Years. Oxford University Press. ISBN 9780199753482. Supported by the Otto Kinkeldey Endowment.  D. R. M. Irving, Colonial Counterpoint: Music in Early Modern Manila. Oxford University Press. ISBN 978-0195378269. Supported by AMS 75 PAYS Endowment.  Benjamin Brinner, Playing across a Divide: Israeli-Palestinian Musical Encounters. Oxford University Press. ISBN 9780195395945. Supported by the Gustave Reese Endowment.  Benjamin M. Korstvedt, Listening for Utopia in Ernst Bloch's Musical Philosophy. Cambridge University Press. ISBN 9780521896153. Supported by the Otto Kinkeldey Endowment.  Laura Lohman, Umm Kulthūm: Artistic Agency and the Shaping of an Arab Legend, 1967-2007. Wesleyan University Press. ISBN 978-0-8195-7071-0. Supported by AMS 75 PAYS Endowment.  Joseph N. Straus, Twelve-Tone Music in America. Cambridge University Press. ISBN 978-0-521-89955-0. Supported by the Manfred Bukofzer Endowment.  Joanna Demers, Listening Through the Noise: The aesthetics of experimental electronic music. Oxford University Press. ISBN 978-0-19-538766-7. Supported by the Joseph Kerman Endowment. ![[author]](/resource/resmgr/books/berkman.jpg) Franya J. Berkman, Monument Eternal: The Music of Alice Coltrane. Wesleyan University Press. ISBN 978-0-8195-6925-7. Supported by AMS 75 PAYS Endowment.  Judith Kuhn, Shostakovich in Dialogue: Form, Imagery and Ideas in Quartets 1-7 Ashgate Publising. ISBN 978-0-7546-6406-2. Supported by the Dragan Plamenac Endowment. /p>  Caryl Clark, Haydn's Jews: Representation and Reception on the Operatic Stage Cambridge University Press. ISBN 978-0-521-45547-3. Supported by the Otto Kinkeldey Endowment.  Peter J. Schmelz, Such Freedom, If Only Musical: Unofficial Soviet Music During the Thaw. Oxford University Press. ISBN 978-0-19-534193-5. Supported by the Manfred Bukofzer Endowment.  Ann Morrison Spinney, Passamaquoddy Ceremonial Songs: Aesthetics and Survival. University of Massachusetts Press. ISBN 978-1-55849-718-4. Supported by the Endowment.  Lily E. Hirsch, A Jewish Orchestra in Nazi Germany: Musical Politics and the Berlin Jewish Culture League. The University of Michigan Press. ISBN 978-0-472-11710-9. Supported by the Barry and Clair Brook Endowment.
 Rebecca Maloy, Inside the Offertory: Aspects of Chronology and Transmission. Oxford University Press. ISBN 978-0-19-531517-2. Supported by the Manfred Bukofzer Endowment.  Glenda Dawn Goss, Sibelius: A Composer's Life and the Awakening of Finland. The University of Chicago Press. ISBN 978-0-226-30477-9. Supported by the Lloyd Hibberd Endowment.  Ron Rodman, Tuning In: American Narrative Television Music. Oxford University Press. ISBN 978-0-19-534025-9. Supported by the Lloyd Hibberd Endowment.  Jonathan D. Bellman, Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom. Oxford University Press. ISBN 978-0-19-533886-7. Supported by the Otto Kinkeldey Endowment.  Corine Schleif and Volker Schier, Katerina's Windows: Donation and Devotion, Art and Music, as Heard and Seen Through the Writings of a Birgittine Nun. The Pennsylvania State University Press. ISBN 9 78021 033693.  Sterling Lambert, Re-reading Poetry: Schubert's Multiple Settings of Goethe. Boydell Press. ISBN 9 781843 834748. Supported by the Otto Kinkeldey Endowment.  Willem Elders, ed., Motets on Non-Biblical Texts (The Collected Works of Josquin Des Prez). Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 9 789063 750763. Supported by the Martin Picker Endowment.  Hilary Poriss, Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford University Press. (AMS Studies, 7). ISBN: 978-0195386714.  Georgia J. Cowart, The Triumph of Pleasure: Louis XIV & the Politics of Spectacle. The University of Chicago Press. ISBN 978-0-226-11638-9. Supported by the James R. Anthony Fund.  Robert Carl, Terry Riley's In C (Studies in Musical Genesis, Structure, and Interpretation). Oxford University Press. ISBN 978-0-19-532528-7. Supported by the Dragan Plamenac Endowment.  Cathy Ragland, Música Norteña: Mexican Migrants Creating a Nation between Nations. Temple University Press. ISBN 978-1-59213-747-3. Supported by the Gustave Reese Endowment.  Jann Pasler, Composing the Citizen: Music as Public Utility in Third Republic France. University of California Press. ISBN 978-0-520-25740-5. Supported by the Otto Kinkeldey Endowment.  Gayle Sherwood Magee, Charles Ives Reconsidered (Music in American Life). University of Illinois Press. ISBN 978-0-252-03326-1. Supported by the Otto Kinkeldey Endowment.  Roger Freitas, Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto Melani (New Perspectives in Music History and Criticism). Cambridge University Press. ISBN 978-0-521-88521-8. Supported by the Endowment.  Timothy J. McGee, The Ceremonial Musicians of Late Medieval Florence. Indiana University Press. ISBN 978-0-253-35304-7. Supported by the Martin Picker Endowment.  John Howland, Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz. The University of Michigan Press. ISBN 0-472-03316-6. Supported by the Lloyd Hibberd Endowment.  Alejandro L. Madrid, Sounds of the Modern Nation: Music, Culture, and Ideas in Post-Revolutionary Mexico. Temple University Press. ISBN 978-1-59213-694. Supported by the Manfred Bukofzer Endowment.  Ron Emoff, Music and the Performance of Identity on Marie-Galante, French Antilles (Soas Musicology Series). Ashgate Publishing, Ltd. ISBN 978-0754665656. Supported by the Otto Kinkeldey Endowment.  Eric Jas, ed., Motets on Texts from the Old Testament (The Collected Works of Josquin Des Prez). koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 978 9063750688.  Jeremy Wallach, Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001. University of Wisconsin Press. ISBN 978-0-299-22900-9. Supported by the Gustave Reese Endowment.  Catherine Parsons Smith, William Grant Still. University of Illinois Press. ISBN 978-0252033223. Supported by the Otto Kinkeldey Endowment.  Kevin Karnes, Music, Criticism, and the Challenge of History. (AMS Studies, 4) Oxford University Press, 2008. ISBN 9780195368666.  Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music, Oxford University Press, (AMS Studies, 6). ISBN 9780195148886.  Nina Treadwell, Music and Wonder at the Medici Court: The 1589 Interludes for "La pellegrina". Indiana University Press. ISBN 978-0253352187. Supported by the Gustave Reese Endowment.  Philip V. Bohlman, Jewish Music and Modernity. Oxford University Press, (AMS Studies, 5). ISBN 9780195178326.  Kay Dickinson, Off Key: When Film and Music Don't Work Together. Oxford University Press. ISBN-13: 9780195326635. Supported by the Gustave Reese Endowment.  Derek Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris, and Vienna. Oxford University Press. ISBN 9780195309461. Supported by the Gustave Reese Endowment.  Judith Tick, with Paul Beaudoin, eds., Music in the USA: A Documentary Companion. Oxford University Press, 2008. ISBN 9780195139884. Supported by the Lloyd Hibberd Endowment.  Lloyd Whitesell, The Music of Joni Mitchell. Oxford University Press, 2008. ISBN 9780195307993. Supported by the Lloyd Hibberd Endowment.  Iannis Xenakis, Music and Architecture: Architectural Projects, Texts, and Realizations, transl. Sharon Kanach. Pendragon Press, 2008. ISBN 9781576471074. Supported by the Dragan Plamenac Endowment.  Vanessa Agnew, Enlightenment Orpheus: The Power of Music in Other Worlds. Oxford University Press. ISBN 978-0195336665. Supported by the Dragan Plamenac Endowment.  Richard Kramer, Unfinished Music. Oxford University Press. ISBN 9780195326826. Supported by the Manfred Bukofzer Endowment.  Halina Goldberg, Music in Chopin's Warsaw. Oxford University Press. ISBN 978-0195130737. Supported by the Dragan Plamenac Endowment.  Steven Zohn, Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works. Oxford University Press. ISBN 9780195169775. Supported by the Dragan Plamenac Endowment.  Lorenzo Candelaria, The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo. University of Rochester Press. ISBN 1580462057. Supported by the Otto Kinkeldey Endowment.  Martha Feldman, Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. University of Chicago Press. ISBN 0226241122.  Rebecca S. Miller, Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean. Wesleyan University Press. ISBN 0819568589.  Ingrid Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa, Oxford University Press. ISBN 0195128257.  Jeremy Day-O'Connell, Pentatonicism from the Eighteenth Century to Debussy. University of Rochester Press. ISBN 1580462480.  Ellen Rosand, Monteverdi’s Last Operas: A Venetian Trilogy. University of California Press. ISBN 0520249348.  Nicholas Cook, The Schenker Project: Culture, Race, and Music Theory in Fin-de Siècle Vienna. Oxford University Press. ISBN 9870195170566.  Christina Bashford, The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. Boydell & Brewer. ISBN 1843832984.  Deborah Kapchan, Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace. Wesleyan University Press. ISBN 081956852X.  Robert O. Gjerdingen, Music in the Galant Style. Oxford University Press. ISBN 0195313712.  Michael Veal, Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Wesleyan University Press. ISBN 0819565725.  Tilden Russell and Dominique Bourassa, The "Menuet de la Cour." (Terpsichore: Tanzhistorische Studien, vol. 4). Georg Olms Verlag. ISBN 9783487132648.  Danielle Fosler-Lussier, Music Divided: Bartók's Legacy in Cold War Culture, University of California Press. ISBN 0520249658.  Howard Pollack, George Gershwin: His Life and Work. University of California Press. ISBN 0520248643.  Marie Elizabeth Labonville, Juan Bautista Plaza and Musical Nationalism in Venezuela. Indiana University Press. ISBN 0253348765.  Claire Fontijn, Desperate Measures: The Life and Music of Antonia Padoani Bembo. Oxford University Press. ISBN 0195135385.  Heidi Feldman, Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Wesleyan University Press. ISBN 0819568147.  William Kinderman, ed., The String Quartets of Beethoven. University of Illinois Press. ISBN 0252030362.  Margaret Notley, Lateness and Brahms, Oxford University Press. ISBN 0195305477.  Anna Maria Busse Berger, Medieval Music and the Art of Memory. University of California Press. ISBN 0520240286.  Leta Miller and Frederic Lieberman, Lou Harrison. University of Illinois Press. ISBN 0252031202.  Jonathan Holt Shannon, Among the Jasmine Trees: Music and Modernity in Contemporary Syria. Wesleyan University Press. ISBN 0819567981.  Mary Frandsen, Crossing Confessional Boundaries. Oxford University Press. ISBN 0195178319.  Kelley Harness, Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. University of Chicago Press. ISBN 0226316599.  Susan Boynton, Liturgy, History, and Power at the Imperial Abbey of Farfa. Cornell University Press. ISBN 0801443814.  Judith Peraino, Listening to the Sirens: Musical Technologies of Queer Identity. University of California Press. ISBN 0520215877.  Elisabeth Le Guin, Boccherini: An Essay in Carnal Musicology. University of California Press. ISBN 0520240170.  David Lewin, Studies in Music with Text. Oxford University Press. ISBN 0195182081.  Mary Davis, Classic Chic: Music, Fashion, and Transatlantic Modernism. University of California Press. ISBN 0520245423.  Scott Messing, Schubert in the European Imagination: Volume 1: The Romantic and Victorian Eras; and Volume 2: Fin-de-Siècle Vienna. University of Rochester Press. ISBN 1580462332 and 1580462138.  Russell Stinson, The Reception of Bach's Organ Works from Mendelssohn to Brahms. Oxford University Press. ISBN 0195171098.  Jeffrey Magee, The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz. Oxford University Press. ISBN 0195090225.  Claudia Macdonald, Robert Schumann and the Piano Concerto. Routledge. ISBN 0415972477  Kate van Orden, Music, Discipline, and Arms in Early Modern France. University of Chicago Press. ISBN 0226849767.  Annegret Fauser, Musical Encounters at the 1889 Paris World’s Fair. University of Rochester Press. ISBN 1580461859.  Allan Marett, Songs, Dreamings, and Ghosts: The Wangga of North Australia. Wesleyan University Press. ISBN 0819566127.  David Beach, Aspects of Unity in J.S. Bach's Partitas and Suites. University of Rochester Press. ISBN 1580462022.  Robert Fink, Repeating Ourselves: American Minimal Music as Cultural Practice. University of California Press. ISBN 0520245504.  Beth L. Glixon and Jonathan E. Glixon, Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. (AMS Studies, 2) Oxford University Press. ISBN 0195154169.  Steve Swayne, How Sondheim Found His Sound. University of Michigan Press. ISBN 0472114972.  Nancy Toff, Monarch of the Flute: The Life of Georges Barrère, Oxford University Press. ISBN 0195170164.  Mark Katz, Capturing Sound: How Technology Has Changed Music, University of California Press. ISBN 0520243803.  Bonnie Gordon, Monteverdi's Unruly Women: The Power of Song in Early Modern Italy. Cambridge University Press. ISBN 0521845297.  Erika Reiman, Schumann's Piano Cycles and the Novels of Jean Paul. University of Rochester Press. ISBN 158046145X.  Diane Pecknold, ed., A Boy Named Sue: Gender and Genre in Country Music. University Press of Mississippi. ISBN 1578066778.  Raymond Knapp, The American Musical and the Formation of National Identity. Princeton University Press. ISBN 0691118647.  Cristina Magaldi, Music in Imperial Rio de Janeiro. The Scarecrow Press. ISBN 0810850257.  Justin London, Hearing in Time: Psychological Aspects of Musical Meter. Oxford University Press. ISBN 0195160819.  Deborah Burton et al., Tosca's Prism. Northeastern University Press. ISBN 1555536166.  Bernard Sherman and Michael Musgrave, Performing Brahms. Cambridge University Press. ISBN 0521652731.  Natalie J. Kreutzer, Zimbabwe Children's Singing Games (DVD). University of Idaho.  Michael Spitzer, Metaphor and Musical Thought. University of Chicago Press. ISBN 0226769720.  David Yearsley, Bach and the Meanings of Counterpoint. Cambridge University Press.  Sophie Fuller and Lloyd Whitesell, eds., Queer Episodes in Music and Modern Identity. University of Illinois Press.  Hugh MacDonald, Berlioz's Orchestration Treatise. Cambridge University Press. ISBN 0521239532.  Lawrence Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis. Oxford University Press, (AMS Studies, 1) ISBN 0195140230.  Eugene Wolf, Manuscripts from Mannheim, ca. 1730-1778: A Study in the Methodology of Musical Source Research. Peter Lang Publishing. ISBN 0820460052.  Richard Freedman, The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. University of Rochester Press. ISBN 1580460755.  Judith Lochhead and Joseph Auner, Postmodern Music/Postmodern Thought. Garland Publishing. ISBN 0815338201.  Rebecca Wagner Oettinger, Music as Propaganda in the German Reformation. Ashgate Publishing. ISBN 0313245053.  Jeanice Brooks, Courtly Song in Late Sixteenth-Century France. University of Chicago Press. ISBN 0226075877.  Carol J. Oja, Making Music Modern: New York in the 1920s. Oxford University Press. ISBN 0195058496.  Graeme Boone, Patterns in Play: A Model for Text Setting in the Early French Songs of Guillaume Dufay. University of Nebraska Press. ( AMS Monographs, 1). ISBN 0803212356.  John A. Rice, Antonio Salieri and Viennese Opera. University of Chicago Press. ISBN 0226711250.  Margaret Bent & Andrew Wathey, Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS Français 146. Clarendon Press.  Judit Frigyesi, Béla Bartók and Turn-of-the-Century Budapest. University of California Press.  Bob Gilmore, Harry Partch: A Biography. Yale University Press.  Patrick Macey, Bonfire songs: Savonarola's musical legacy. Oxford University Press.  Ralph Locke and Cyrilla Barr, eds., Cultivating Music in America: Women Patrons and Activists since 1860. University of California Press.  Jessie Ann Owens, Composers at Work: The Craft of Musical Composition 1450-1600. Oxford University Press.  Kay Kaufman Shelemay and Peter Jeffery, Ethiopian Christian Liturgical Chant: An Anthology. Recent Researches in the Oral Traditions of Music, 1. A-R Editions.  Paula Higgins, ed., Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music. Oxford University Press, 1996.  Robert L. Kendrick, Celestial Sirens: Nuns and Their Music in Early Modern Milan. Oxford University Press, 1996.  László Somfai, Béla Bartók: Composition, Concepts, and Autograph Sources. University of California Press, 1996.  Richard Taruskin, Stravinsky and the Russian Traditions: A Biography of the Works Through "Mavra". University of California Press, 1996.  Martha Feldman, City Culture and the Madrigal at Venice. University of California Press, 1995. Steven Saunders, Cross, Sword and Lyre, Sacred Music at the Imperial Court of Ferdinand II of Habsburg (1619-1637). Oxford University Press, 1995.  Thomas Connolly, Mourning Into Joy: Music, Raphael, and Saint Cecilia. Yale University Press, 1994.  Richard Kramer, Distant Cycles: Schubert and the Conceiving of Song. University of Chicago Press, 1994.  Anna Maria Busse Berger, Mensuration and Proportion Signs, Origins and Evolution. Oxford University Press, 1993. ISBN 0198162308.  Richard Leppert, The Sight of Sound: Music, Representation, and the History of the Body. University of California Press, 1993.  Louise K. Stein, Songs of Mortals, Dialogues of the Gods: Music and Theatre in Seventeenth-Century Spain. Oxford University Press, 1993. ISBN 0198162731. Heinrich Schenker, Beethoven's Ninth Symphony, A Portrayal of Its Musical Content, with Running Commentary on Performance and Literature As Well. Translated and edited by John Rothgeb. Yale University Press, 1992.  Ellen Rosand, Opera In Seventeenth-Century Venice: The Creation of a Genre. University of California Press, 1990.  Eric Chafe, Tonal Allegory in the Vocal Music of J.S. Bach. University of California Press, 1991.  James Webster, Haydn's "Farewell" Symphony and the Idea of Classical Style: Through-composition and Cyclic Integration in His Instrumental Music. Cambridge University Press, 1991. Allen Perdue Britton, Irving Lowens and Richard Crawford, American Sacred Music Imprints 1698-1810: A Bibliography. 1990 American Antiquarian Society.  Analyzing Opera: Verdi and Wagner. Edited by Carolyn Abbate and Roger Parker. University of California Press, 1989.  E. Eugene Helm, Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. Yale University Press, 1988.  Alan Tyson, Mozart: Studies of the Autograph Scores. Harvard University Press, 1987.  Gary Tomlinson, Monteverdi and the End of the Renaissance. University of California Press, 1987/1990. Wayne Howard, Veda Recitation in Varapasi. Motilal Barnarsidass, Delhi, India, 1986.  Ralph P. Locke, Music, Musicians and the Saint-Simonians. University of Chicago Press, 1986.  Women Making Music. The Western Art Tradition 1150-1950. Edited by Jane Bowers and Judith Tick. University of Illinois Press, 1986.  Douglas Johnson, Alan Tyson & Robert Winter, The Beethoven Sketchbooks: History, Reconstruction, Inventory. Edited by Douglas Johnson. University of California Press, 1985. Mendelssohn and Schumann: Essays on Their Music and Its Context. Edited by Jon W. Finson and R. Larry Todd, Duke University Press, 1984.  Elliott Antokeletz, The Music of Béla Bartók. University of California Press, 1984/1990. Nino Pirrotta, Music and Culture in Italy from the Middle Ages to the Baroque. Harvard University Press, 1984. Frederick Hammond, Girolamo Frescobaldi. Harvard University Press, 1983. H. Wiley Hitchcock, The Works of Marc-Antoine Charpentier: Catalogue Raisonné. Picard, 1982. Hans Tischler, The Earliest Motets (to circa 1270): A Complete Comparative Edition. Three volumes. Yale University Press, 1981. Haydn Studies. Edited by Jens Peter Larsen, Howard Serwer, and James Webster. W.W. Norton & Co., 1981. Report of the Twelfth Congress of the International Musicological Society, Berkeley, 1977, ed. Daniel Heartz and Bonnie Wade. Bärenreiter, 1981. Heinrich Schenker, Free Composition (Der Frie Satz). Volume III of New Musical Theories and Fantasies. Translated and edited by Ernst Oster. Longman, 1979. Alejandro Enrique Planchart, The Reportory of Tropes at Winchester. Two Volumes. Princeton University Press, 1977.  Newell Jenkins and Bathia Churgin, Thematic Catalogue of the Works of Giovanni Battista Sammartini. Published for the American Musicological Society by Harvard University Press, 1977. Triodium Athoum (Monumenta Musicae Byzantinae, Volume IX). Edited by Enrica Follieri and Oliver Strunk, Hauniae, Munksgaard, Copenhagen, 1975. Jacobi Arcadelt, Opera Omnia. Edited by Albert Seay. Ten volumes. Corpus Mensurabilis Musicae 31. American Institute of Musicology, in collaboration with the American Musicological Society, 1965-1970. The Commonwealth of Music. Edited by Gustave Reese and Rose Brandel. The Free Press, 1965. |
11/26/2024Antonia Banducci, 1945–2024
11/19/20242024 AMS Honorary Members
Past President of the Society
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