Mark Kroll, Ignaz Moscheles and the Changing Face of Musical Europe. Boydell Press. ISBN 978-1843839354. Supported by the Barry and Clair Brook Endowment.

Andrew Granade, Harry Partch, Hobo Composer. University of Rochester Press. ISBN 978-1580464956. Supported by AMS 75 PAYS Endowment.

Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934. Columbia University Press. ISBN 978-0231165839. Supported by AMS 75 PAYS Endowment.

Scott Messing, Marching to the Canon: The Life of Schubert's "Marche militaire". University of Rochester Press. ISBN 978-1580464383. Supported by the Endowment.

David Schulenberg, The Music of Carl Philipp Emanuel Bach. University of Rochester Press. ISBN 978-1580464819. Supported by the Otto Kinkeldey Endowment.

Ryan Raul Bañagale, Arranging Gershwin: Rhapsody in Blue and the Creation of an American Icon. Oxford University Press. ISBN 978-019997838-0. Supported by AMS 75 PAYS Endowment.

Katherine R. Syer, Wagner's Visions: Poetry, Politics, and the Psyche in the Operas through "Die Walküre". University of Rochester Press . ISBN 978-1580464826. Supported by the Otto Kinkeldey Endowment.

Ivan Raykoff, Dreams of Love: Playing the Romantic Pianist. Oxford University Press. ISBN 978-0199892679. Supported by the Otto Kinkeldey Endowment.

D. Rose Elder, Why the Amish Sing: Songs of Solidarity and Identity. Johns Hopkins University Press. ISBN 978-1421414652. Supported by the Lloyd Hibberd Endowment.

Julia Byl, Antiphonal Histories: Resonant Pasts in the Toba Batak Musical Present. Wesleyan University Press. ISBN 978-0819574794. Supported by AMS 75 PAYS Endowment.

Jennifer Fleeger, Mismatched Women: The Siren's Song Through the Machine. Oxford University Press. ISBN 978-019993691-5. Supported by AMS 75 PAYS Endowment.

William Cheng, Sound Play: Video Games and the Musical Imagination. Oxford University Press. ISBN 978-0199969975. Supported by AMS 75 PAYS Endowment.

Catherine Grant, Music Endangerment: How Language Maintenance Can Help. Oxford University Press . ISBN 978-0199352173. Supported by AMS 75 PAYS Endowment.

Carol J. Oja, Bernstein Meets Broadway: Collaborative Art in a Time of War. Oxford University Press. ISBN 978-0199862092. Supported by AMS 75 PAYS and the Dragan Plamenac Endowments.

Nadine Hubbs, Rednecks, Queers, and Country Music . University of California Press . ISBN 978-0520280663. Supported by the Dragan Plamenac Endowment.

Matthew McDonald, Breaking Time's Arrow: Experiment and Expression in the Music of Charles Ives . Indiana University Press. ISBN 978-0253012739. Supported by AMS 75 PAYS Endowment.

Maureen A. Carr, After the Rite: Stravinsky's Path to Neoclassicism (1914-1925). Oxford University Press. ISBN 978-0199742936. Supported by the Otto Kinkeldey Endowment.

Wye Jamison Allanbrook, The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music. University of California Press. ISBN 978-0520274075. Supported by the Otto Kinkeldey Endowment.

Silvio J. dos Santos, Narratives of Identity in Alban Berg's Lulu. University of Rochester Press. ISBN 978-1-58046-483-3. Supported by AMS 75 PAYS Endowment.

David M. Powers, From Plantation to Paradise?: Cultural Politics and Musical Theatre in French Slave Colonies, 1764–1789. Michigan State University Press. ISBN 978-1611861204. Supported by the Lloyd Hibberd Endowment.

Catherine Saucier, A Paradise of Priests: Singing the Civic and Episcopal Hagiography of Medieval Liege. University of Rochester Press. ISBN 978-1580464802. Supported by AMS 75 PAYS Endowment.

Eric Chafe, J. S. Bach's Johannine Theology: The St. John Passion and the Cantatas for Spring 1725. Oxford University Press. ISBN 978-0199773343. Supported by the Margarita M. Hanson Endowment.

Peter Franklin, Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds University of California Press. ISBN 978-0520280397. Supported by the John Daverio Endowment.

Joshua S. Walden, Sounding Authentic: The Rural Miniature and Musical Modernism. Oxford University Press. ISBN 978-0199334667. Supported by the Barry and Clair Brook Endowment.

Lydia Goehr, "'—wie ihn uns Meister Dürer gemalt!' On Prophets, Painters, Musicians, and Mastersingers," Journal of the American Musicological Society, 64/1 (2011), 51–117. Supported by the Barry and Clair Brook Endowment
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Jeremy Grimshaw, Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young. Oxford University Press. ISBN 0199740208.
Supported by the AMS 75 PAYS Endowment

Kristina Muxfeldt, Vanishing Sensibilities: Schubert, Beethoven, Schumann. Oxford University Press. ISBN 0199782423.
Supported by the AMS 75 PAYS and the John Daverio Endowments.

Daniel Cavicchi, Listening and Longing: Music Lovers in the Age of Barnum. Wesleyan University Press. ISBN 0819571628. Supported by the Endowment.

Susan Boynton, Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain. Oxford University Press. ISBN 0199754594.
Supported by the Dragan Plamenac Endowment.

Christina Baade, Victory through Harmony: The BBC and Popular Music in World War II. Oxford University Press. ISBN 0195372018. Supported by the AMS 75 PAYS Endowment.

Judith A. Peraino, Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut. Oxford University Press. ISBN 0199757240. Supported by the Margarita M. Hanson Endowment.

David J. Rothenberg, The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music. Oxford University Press. ISBN 0195399714. Supported by the AMS 75 PAYS Endowment.

Steven Rings, Tonality and Transformation (Oxford Studies in Music Theory). Oxford University Press. ISBN 019538427X. Supported by the AMS 75 PAYS Endowment.

Jane Alden, Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers (The New Cultural History of Music Series). Oxford University Press. ISBN 0195381521. Supported by the Gustave Reese Endowment.

Larry Hamberlin, Tin Pan Opera: Operatic Novelty Songs in the Ragtime Era. Oxford University Press. ISBN 0195338928. Supported by the Gustave Reese Endowment.

Leta E. Miller, Music & Politics in San Francisco: From the 1906 Quake to the Second World War. University of California Press. ISBN 978-0-520-26891-3. Supported by the Dragan Plamenac Endowment.

Larry Stempel, Showtime: A History of the Broadway Musical Theater. Norton. ISBN 978-0-393-06175-6. Supported by the Gustave Reese Endowment.

Willem Elders, ed., New Josquin Edition: Volume 18, Motets on Texts from the Old Testament: Texts from the Psalms 4 (The Collected Works of Josquin Des Prez). Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 9 789063 750695.

Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981. University of California Press. ISBN 0520268970. Supported by the Otto Kinkeldey Endowment.

Peter Franklin, Seeing through Music: Gender and Modernism in Classic Holly Film Scores. Oxford University Press. ISBN 0-19-538345-1. Supported by the Otto Kinkeldey Endowment.

Todd Decker, Music Makes Me: Fred Astaire and Jazz. University of California Press. ISBN 978-0-520-26890-6. Supported by AMS 75 PAYS and the Barry and Clair Brook Endowments.

Willem Elders, ed., New Josquin Edition: Volume 5, Masses Based on Secular Monophonic Songs (The Collected Works of Josquin Des Prez). Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 9 789063 750565.

Travis D. Stimeling, Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene. Oxford University Press. ISBN 978-0-19-974747-4. Supported by NEH Matching Funds.

Sabine Feisst, Schoenberg's New World: The American Years. Oxford University Press. ISBN 978-0-19-537238-0. Supported by the AMS 75 PAYS Endowment.

Benjamin Piekut, Experimentalism Otherwise: The New York Avant-Garde and Its Limits. University of California Press. ISBN 978-0520268517. Supported by the AMS 75 PAYS Endowment.

Stefanie Tcharos, Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome. Cambridge University Press. ISBN 978-0-521-11665-7. Supported by the Margarita M. Hanson Endowment.

Nancy Newman, Good Music for a Free People: The Germania Musical Society in Nineteenth-Century America. University of Rochester Press. ISBN 978-1-58046-345-4. Supported by the AMS 75 PAYS Endowment.

David Schulenberg, The Music of Wilhelm Friedemann Bach. University of Rochester Press. ISBN 978-1580463591. Supported by the Margarita M. Hanson Endowment.

Carol Muller, Shembe Hymns. University of KwaZulu-Natal Press. ISBN 978-1869141363. Supported by the Manfred Bukofzer Endowment.

Richard C. Jankowsky, Stambeli: Music, Trance, and Alterity in Tunisia (Chicago Studies in Ethnomusicology). The University of Chicago Press. ISBN 978-0-226-39217-2. Supported by AMS 75 PAYS Endowment.

Philip Lambert, To Broadway, To Life! The Musical Theater of Bock and Harnick. Oxford University Press. ISBN 978-0195390070. Supported by the Lloyd Hibberd Endowment.

Lawrence Kramer, Interpreting Music. University of California Press. ISBN 978-0520267060. Supported by the Dragan Plamenac Endowment.

Marc Benamou, RASA: Affect and Intuition in Javanese Musical Aesthetics (AMS Studies in Music). Oxford University Press. ISBN 978-0195189438.

Danuta Mirka, Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791 . Oxford University Press. ISBN 978-0195384925. Supported by the Lloyd Hibberd Endowment.

Yonatan Malin, Songs in Motion: Rhythm and Meter in the German Lied. Oxford University Press. ISBN 978-0195340051. Supported by the John Daverio Endowment.

Simon Morrison, The People's Artist: Prokofiev's Soviet Years. Oxford University Press. ISBN 9780199753482. Supported by the Otto Kinkeldey Endowment.

D. R. M. Irving, Colonial Counterpoint: Music in Early Modern Manila. Oxford University Press. ISBN 978-0195378269. Supported by AMS 75 PAYS Endowment.

Benjamin Brinner, Playing across a Divide: Israeli-Palestinian Musical Encounters. Oxford University Press. ISBN 9780195395945. Supported by the Gustave Reese Endowment.

Benjamin M. Korstvedt, Listening for Utopia in Ernst Bloch's Musical Philosophy. Cambridge University Press. ISBN 9780521896153. Supported by the Otto Kinkeldey Endowment.

Laura Lohman, Umm Kulthūm: Artistic Agency and the Shaping of an Arab Legend, 1967-2007. Wesleyan University Press. ISBN 978-0-8195-7071-0. Supported by AMS 75 PAYS Endowment.

Joseph N. Straus, Twelve-Tone Music in America. Cambridge University Press. ISBN 978-0-521-89955-0. Supported by the Manfred Bukofzer Endowment.

Joanna Demers, Listening Through the Noise: The aesthetics of experimental electronic music. Oxford University Press. ISBN 978-0-19-538766-7. Supported by the Joseph Kerman Endowment.

Franya J. Berkman, Monument Eternal: The Music of Alice Coltrane. Wesleyan University Press. ISBN 978-0-8195-6925-7. Supported by AMS 75 PAYS Endowment.

Judith Kuhn, Shostakovich in Dialogue: Form, Imagery and Ideas in Quartets 1-7 Ashgate Publising. ISBN 978-0-7546-6406-2. Supported by the Dragan Plamenac Endowment. /p>

Caryl Clark, Haydn's Jews: Representation and Reception on the Operatic Stage Cambridge University Press. ISBN 978-0-521-45547-3. Supported by the Otto Kinkeldey Endowment.

Peter J. Schmelz, Such Freedom, If Only Musical: Unofficial Soviet Music During the Thaw. Oxford University Press. ISBN 978-0-19-534193-5. Supported by the Manfred Bukofzer Endowment.

Ann Morrison Spinney, Passamaquoddy Ceremonial Songs: Aesthetics and Survival. University of Massachusetts Press. ISBN 978-1-55849-718-4. Supported by the Endowment.

Lily E. Hirsch, A Jewish Orchestra in Nazi Germany: Musical Politics and the Berlin Jewish Culture League. The University of Michigan Press. ISBN 978-0-472-11710-9. Supported by the Barry and Clair Brook Endowment.
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Rebecca Maloy, Inside the Offertory: Aspects of Chronology and Transmission. Oxford University Press. ISBN 978-0-19-531517-2. Supported by the Manfred Bukofzer Endowment.

Glenda Dawn Goss, Sibelius: A Composer's Life and the Awakening of Finland. The University of Chicago Press. ISBN 978-0-226-30477-9. Supported by the Lloyd Hibberd Endowment.

Ron Rodman, Tuning In: American Narrative Television Music. Oxford University Press. ISBN 978-0-19-534025-9. Supported by the Lloyd Hibberd Endowment.

Jonathan D. Bellman, Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom. Oxford University Press. ISBN 978-0-19-533886-7. Supported by the Otto Kinkeldey Endowment.

Corine Schleif and Volker Schier, Katerina's Windows: Donation and Devotion, Art and Music, as Heard and Seen Through the Writings of a Birgittine Nun. The Pennsylvania State University Press. ISBN 9 78021 033693.

Sterling Lambert, Re-reading Poetry: Schubert's Multiple Settings of Goethe. Boydell Press. ISBN 9 781843 834748. Supported by the Otto Kinkeldey Endowment.

Willem Elders, ed., Motets on Non-Biblical Texts (The Collected Works of Josquin Des Prez). Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 9 789063 750763. Supported by the Martin Picker Endowment.

Hilary Poriss, Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford University Press. (AMS Studies, 7). ISBN: 978-0195386714.

Georgia J. Cowart, The Triumph of Pleasure: Louis XIV & the Politics of Spectacle. The University of Chicago Press. ISBN 978-0-226-11638-9. Supported by the James R. Anthony Fund.

Robert Carl, Terry Riley's In C (Studies in Musical Genesis, Structure, and Interpretation). Oxford University Press. ISBN 978-0-19-532528-7. Supported by the Dragan Plamenac Endowment.

Cathy Ragland, Música Norteña: Mexican Migrants Creating a Nation between Nations. Temple University Press. ISBN 978-1-59213-747-3. Supported by the Gustave Reese Endowment.

Jann Pasler, Composing the Citizen: Music as Public Utility in Third Republic France. University of California Press. ISBN 978-0-520-25740-5. Supported by the Otto Kinkeldey Endowment.

Gayle Sherwood Magee, Charles Ives Reconsidered (Music in American Life). University of Illinois Press. ISBN 978-0-252-03326-1. Supported by the Otto Kinkeldey Endowment.

Roger Freitas, Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto Melani (New Perspectives in Music History and Criticism). Cambridge University Press.  ISBN 978-0-521-88521-8. Supported by the Endowment.

Timothy J. McGee, The Ceremonial Musicians of Late Medieval Florence. Indiana University Press. ISBN 978-0-253-35304-7. Supported by the Martin Picker Endowment.

John Howland, Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz. The University of Michigan Press.  ISBN 0-472-03316-6. Supported by the Lloyd Hibberd Endowment.

Alejandro L. Madrid, Sounds of the Modern Nation: Music, Culture, and Ideas in Post-Revolutionary Mexico. Temple University Press.  ISBN 978-1-59213-694. Supported by the Manfred Bukofzer Endowment.

Ron Emoff, Music and the Performance of Identity on Marie-Galante, French Antilles (Soas Musicology Series). Ashgate Publishing, Ltd. ISBN 978-0754665656. Supported by the Otto Kinkeldey Endowment.

Eric Jas, ed., Motets on Texts from the Old Testament (The Collected Works of Josquin Des Prez). koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis. ISBN 978 9063750688.

Jeremy Wallach, Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001. University of Wisconsin Press. ISBN 978-0-299-22900-9. Supported by the Gustave Reese Endowment.

Catherine Parsons Smith, William Grant Still. University of Illinois Press. ISBN 978-0252033223. Supported by the Otto Kinkeldey Endowment.

Kevin Karnes, Music, Criticism, and the Challenge of History. (AMS Studies, 4) Oxford University Press, 2008. ISBN 9780195368666.

Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music, Oxford University Press, (AMS Studies, 6). ISBN 9780195148886.

Nina Treadwell, Music and Wonder at the Medici Court: The 1589 Interludes for "La pellegrina". Indiana University Press. ISBN 978-0253352187. Supported by the Gustave Reese Endowment.

Philip V. Bohlman, Jewish Music and Modernity. Oxford University Press, (AMS Studies, 5). ISBN 9780195178326.

Kay Dickinson, Off Key: When Film and Music Don't Work Together. Oxford University Press. ISBN-13: 9780195326635. Supported by the Gustave Reese Endowment.

Derek Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris, and Vienna. Oxford University Press. ISBN 9780195309461. Supported by the Gustave Reese Endowment.

Judith Tick, with Paul Beaudoin, eds., Music in the USA: A Documentary Companion. Oxford University Press, 2008. ISBN 9780195139884. Supported by the Lloyd Hibberd Endowment.

Lloyd Whitesell, The Music of Joni Mitchell. Oxford University Press, 2008. ISBN 9780195307993. Supported by the Lloyd Hibberd Endowment.

Iannis Xenakis, Music and Architecture: Architectural Projects, Texts, and Realizations, transl. Sharon Kanach. Pendragon Press, 2008. ISBN 9781576471074. Supported by the Dragan Plamenac Endowment.

Vanessa Agnew, Enlightenment Orpheus: The Power of Music in Other Worlds. Oxford University Press. ISBN 978-0195336665. Supported by the Dragan Plamenac Endowment.

Richard Kramer, Unfinished Music. Oxford University Press. ISBN 9780195326826. Supported by the Manfred Bukofzer Endowment.

Halina Goldberg, Music in Chopin's Warsaw. Oxford University Press. ISBN 978-0195130737. Supported by the Dragan Plamenac Endowment.

Steven Zohn, Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works. Oxford University Press. ISBN 9780195169775. Supported by the Dragan Plamenac Endowment.

Lorenzo Candelaria, The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo. University of Rochester Press. ISBN 1580462057. Supported by the Otto Kinkeldey Endowment.

Martha Feldman, Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. University of Chicago Press. ISBN 0226241122.

Rebecca S. Miller, Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean. Wesleyan University Press. ISBN 0819568589.

Ingrid Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa, Oxford University Press. ISBN 0195128257.

Jeremy Day-O'Connell, Pentatonicism from the Eighteenth Century to Debussy. University of Rochester Press. ISBN 1580462480.

Ellen Rosand, Monteverdi’s Last Operas: A Venetian Trilogy. University of California Press. ISBN 0520249348.

Nicholas Cook, The Schenker Project: Culture, Race, and Music Theory in Fin-de Siècle Vienna. Oxford University Press. ISBN 9870195170566.

Christina Bashford, The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. Boydell & Brewer. ISBN 1843832984.

Deborah Kapchan, Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace. Wesleyan University Press. ISBN 081956852X.

Robert O. Gjerdingen, Music in the Galant Style. Oxford University Press. ISBN 0195313712.

Michael Veal, Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Wesleyan University Press. ISBN 0819565725.

Tilden Russell and Dominique Bourassa, The "Menuet de la Cour." (Terpsichore: Tanzhistorische Studien, vol. 4). Georg Olms Verlag. ISBN 9783487132648.

Danielle Fosler-Lussier, Music Divided: Bartók's Legacy in Cold War Culture, University of California Press. ISBN 0520249658.

Howard Pollack, George Gershwin: His Life and Work. University of California Press. ISBN 0520248643.

Marie Elizabeth Labonville, Juan Bautista Plaza and Musical Nationalism in Venezuela. Indiana University Press. ISBN 0253348765.

Claire Fontijn, Desperate Measures: The Life and Music of Antonia Padoani Bembo. Oxford University Press. ISBN 0195135385.

Heidi Feldman, Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Wesleyan University Press. ISBN 0819568147.

William Kinderman, ed., The String Quartets of Beethoven. University of Illinois Press. ISBN 0252030362.

Margaret Notley, Lateness and Brahms, Oxford University Press. ISBN 0195305477.

Anna Maria Busse Berger, Medieval Music and the Art of Memory. University of California Press. ISBN 0520240286.

Leta Miller and Frederic Lieberman, Lou Harrison. University of Illinois Press. ISBN 0252031202.

Jonathan Holt Shannon, Among the Jasmine Trees: Music and Modernity in Contemporary Syria. Wesleyan University Press. ISBN 0819567981.

Mary Frandsen, Crossing Confessional Boundaries. Oxford University Press. ISBN 0195178319.

Kelley Harness, Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. University of Chicago Press. ISBN 0226316599.

Susan Boynton, Liturgy, History, and Power at the Imperial Abbey of Farfa. Cornell University Press. ISBN 0801443814.

Judith Peraino, Listening to the Sirens: Musical Technologies of Queer Identity. University of California Press. ISBN 0520215877.

Elisabeth Le Guin, Boccherini: An Essay in Carnal Musicology. University of California Press. ISBN 0520240170.

David Lewin, Studies in Music with Text. Oxford University Press. ISBN 0195182081.

Mary Davis, Classic Chic:  Music, Fashion, and Transatlantic Modernism. University of California Press. ISBN 0520245423.

Scott Messing, Schubert in the European Imagination: Volume 1: The Romantic and Victorian Eras; and Volume 2: Fin-de-Siècle Vienna. University of Rochester Press. ISBN 1580462332 and 1580462138.

Russell Stinson, The Reception of Bach's Organ Works from Mendelssohn to Brahms. Oxford University Press. ISBN 0195171098.

Jeffrey Magee, The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz. Oxford University Press. ISBN 0195090225.

Claudia Macdonald, Robert Schumann and the Piano Concerto. Routledge. ISBN 0415972477

Kate van Orden, Music, Discipline, and Arms in Early Modern France. University of Chicago Press. ISBN 0226849767.

Annegret Fauser, Musical Encounters at the 1889 Paris World’s Fair. University of Rochester Press. ISBN 1580461859.

Allan Marett, Songs, Dreamings, and Ghosts: The Wangga of North Australia. Wesleyan University Press. ISBN 0819566127.

David Beach, Aspects of Unity in J.S. Bach's Partitas and Suites. University of Rochester Press. ISBN 1580462022.

Robert Fink, Repeating Ourselves: American Minimal Music as Cultural Practice. University of California Press. ISBN 0520245504.

Beth L. Glixon and Jonathan E. Glixon, Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. (AMS Studies, 2) Oxford University Press. ISBN 0195154169.

Steven Swayne, How Sondheim Found His Sound. University of Michigan Press. ISBN 0472114972.

Nancy Toff, Monarch of the Flute: The Life of Georges Barrère, Oxford University Press. ISBN 0195170164.

Mark Katz, Capturing Sound: How Technology Has Changed Music, University of California Press. ISBN 0520243803.

Bonnie Gordon, Monteverdi's Unruly Women: The Power of Song in Early Modern Italy. Cambridge University Press. ISBN 0521845297.

Erika Reiman, Schumann's Piano Cycles and the Novels of Jean Paul. University of Rochester Press. ISBN 158046145X.

Diane Pecknold, ed., A Boy Named Sue: Gender and Genre in Country Music. University Press of Mississippi. ISBN 1578066778.

Raymond Knapp, The American Musical and the Formation of National Identity. Princeton University Press. ISBN 0691118647.

Cristina Magaldi, Music in Imperial Rio de Janeiro. The Scarecrow Press. ISBN 0810850257.

Justin London, Hearing in Time: Psychological Aspects of Musical Meter. Oxford University Press. ISBN 0195160819.

Deborah Burton et al., Tosca's Prism. Northeastern University Press. ISBN 1555536166.

Bernard Sherman and Michael Musgrave, Performing Brahms.  Cambridge University Press. ISBN 0521652731.

Natalie J. Kreutzer, Zimbabwe Children's Singing Games (DVD). University of Idaho.

Michael Spitzer, Metaphor and Musical Thought. University of Chicago Press. ISBN 0226769720.

David Yearsley, Bach and the Meanings of Counterpoint. Cambridge University Press.

Sophie Fuller and Lloyd Whitesell, eds., Queer Episodes in Music and Modern Identity. University of Illinois Press.

Hugh MacDonald, Berlioz's Orchestration Treatise. Cambridge University Press. ISBN 0521239532.

Lawrence Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis. Oxford University Press, (AMS Studies, 1) ISBN 0195140230.

Eugene Wolf, Manuscripts from Mannheim, ca. 1730-1778: A Study in the Methodology of Musical Source Research. Peter Lang Publishing. ISBN 0820460052.

Richard Freedman, The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France.  University of Rochester Press. ISBN 1580460755.

Judith Lochhead and Joseph Auner, Postmodern Music/Postmodern Thought.  Garland Publishing. ISBN 0815338201.

Rebecca Wagner Oettinger, Music as Propaganda in the German  Reformation. Ashgate Publishing. ISBN 0313245053.

Jeanice Brooks, Courtly Song in Late Sixteenth-Century France. University of Chicago Press. ISBN 0226075877.

Carol J. Oja, Making Music Modern: New York in the 1920s. Oxford University Press. ISBN 0195058496.

Graeme Boone, Patterns in Play: A Model for Text Setting in the Early French Songs of Guillaume Dufay. University of Nebraska Press.  (AMS Monographs, 1). ISBN 0803212356.

John A. Rice, Antonio Salieri and Viennese Opera. University of Chicago Press. ISBN 0226711250.

Margaret Bent & Andrew Wathey, Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS Français 146. Clarendon Press.

Judit Frigyesi, Béla Bartók and Turn-of-the-Century Budapest. University of California Press.

Bob Gilmore, Harry Partch: A Biography. Yale University Press.

Patrick Macey, Bonfire songs: Savonarola's musical legacy. Oxford University Press.

Ralph Locke and Cyrilla Barr, eds., Cultivating Music in America: Women Patrons and Activists since 1860. University of California Press.

Jessie Ann Owens, Composers at Work: The Craft of Musical Composition 1450-1600. Oxford University Press.

Kay Kaufman Shelemay and Peter Jeffery, Ethiopian Christian Liturgical Chant: An Anthology. Recent Researches in the Oral Traditions of Music, 1. A-R Editions.

Paula Higgins, ed., Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music. Oxford University Press, 1996.

Robert L. Kendrick, Celestial Sirens: Nuns and Their Music in Early Modern Milan. Oxford University Press, 1996.

László Somfai, Béla Bartók: Composition, Concepts, and Autograph Sources.  University of California Press, 1996.

Richard Taruskin, Stravinsky and the Russian Traditions: A Biography of the Works Through "Mavra". University of California Press, 1996.

Martha Feldman, City Culture and the Madrigal at Venice. University of California Press, 1995.

Steven Saunders, Cross, Sword and Lyre, Sacred Music at the Imperial Court of Ferdinand II of Habsburg (1619-1637). Oxford University Press, 1995.

Thomas Connolly, Mourning Into Joy: Music, Raphael, and Saint Cecilia. Yale University Press, 1994.

Richard Kramer, Distant Cycles: Schubert and the Conceiving of Song. University of Chicago Press, 1994.

Anna Maria Busse Berger, Mensuration and Proportion Signs, Origins and Evolution. Oxford University Press, 1993. ISBN 0198162308.

Richard Leppert, The Sight of Sound: Music, Representation, and the History of the Body. University of California Press, 1993.

Louise K. Stein, Songs of Mortals, Dialogues of the Gods: Music and Theatre in Seventeenth-Century Spain. Oxford University Press, 1993. ISBN 0198162731.

Heinrich Schenker, Beethoven's Ninth Symphony, A Portrayal of Its Musical Content, with Running Commentary on Performance and Literature As Well. Translated and edited by John Rothgeb. Yale University Press, 1992.

Ellen Rosand, Opera In Seventeenth-Century Venice: The Creation of a Genre. University of California Press, 1990.

Eric Chafe, Tonal Allegory in the Vocal Music of J.S. Bach. University of California Press, 1991.

James Webster, Haydn's "Farewell" Symphony and the Idea of Classical Style: Through-composition and Cyclic Integration in His Instrumental Music. Cambridge University Press, 1991.

Allen Perdue Britton, Irving Lowens and Richard Crawford, American Sacred Music Imprints 1698-1810: A Bibliography. 1990 American Antiquarian Society.

Analyzing Opera: Verdi and Wagner. Edited by Carolyn Abbate and Roger Parker. University of California Press, 1989.

E. Eugene Helm, Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. Yale University Press, 1988.

Alan Tyson, Mozart: Studies of the Autograph Scores. Harvard University  Press, 1987.

Gary Tomlinson,  Monteverdi and the End of the Renaissance. University of California Press, 1987/1990.

Wayne Howard, Veda Recitation in Varapasi. Motilal Barnarsidass, Delhi,  India, 1986.

Ralph P. Locke, Music, Musicians and the Saint-Simonians. University of Chicago Press, 1986.

Women Making Music. The Western Art Tradition 1150-1950. Edited by Jane Bowers and Judith Tick. University of Illinois Press, 1986.

Douglas Johnson, Alan Tyson & Robert Winter, The Beethoven Sketchbooks: History, Reconstruction, Inventory. Edited by Douglas Johnson. University of California Press, 1985.

Mendelssohn and Schumann: Essays on Their Music and Its Context. Edited by Jon W. Finson and R. Larry Todd, Duke University Press, 1984.

Elliott Antokeletz, The Music of Béla Bartók. University of California Press, 1984/1990.

Nino Pirrotta, Music and Culture in Italy from the Middle Ages to the Baroque. Harvard University Press, 1984.

Frederick Hammond, Girolamo Frescobaldi. Harvard University Press, 1983.

H. Wiley Hitchcock, The Works of Marc-Antoine Charpentier: Catalogue Raisonné. Picard, 1982.

Hans Tischler, The Earliest Motets (to circa 1270): A Complete Comparative Edition. Three volumes. Yale University Press, 1981.

Haydn Studies. Edited by Jens Peter Larsen, Howard Serwer, and James Webster. W.W. Norton & Co., 1981.

Report of the Twelfth Congress of the International Musicological Society, Berkeley, 1977, ed. Daniel Heartz and Bonnie Wade. Bärenreiter, 1981.

Heinrich Schenker, Free Composition (Der Frie Satz). Volume III of New Musical Theories and Fantasies. Translated and edited by Ernst Oster. Longman, 1979.

Alejandro Enrique Planchart, The Reportory of Tropes at Winchester. Two Volumes. Princeton University Press, 1977.

Newell Jenkins and Bathia Churgin, Thematic Catalogue of the Works of Giovanni Battista Sammartini. Published for the American Musicological Society by Harvard University Press, 1977.

Triodium Athoum (Monumenta Musicae Byzantinae, Volume IX). Edited by  Enrica Follieri and Oliver Strunk, Hauniae, Munksgaard, Copenhagen, 1975.

Jacobi Arcadelt, Opera Omnia. Edited by Albert Seay. Ten volumes. Corpus Mensurabilis Musicae 31. American Institute of Musicology, in collaboration with the American Musicological Society, 1965-1970.

The Commonwealth of Music. Edited by Gustave Reese and Rose Brandel. The Free Press, 1965.