BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//AMS - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:AMS
X-ORIGINAL-URL:https://www.amsmusicology.org
X-WR-CALDESC:Events for AMS
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20230101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260409T190000
DTEND;TZID=America/New_York:20260409T200000
DTSTAMP:20260524T181510
CREATED:20260220T193335Z
LAST-MODIFIED:20260227T154855Z
UID:20534-1775761200-1775764800@www.amsmusicology.org
SUMMARY:Indie Rock After Riot Grrrl
DESCRIPTION:In this AMS/Rock and Roll Hall of Fame Lecture to be held 9 April at 7:00 p.m. ET\, Dan DiPiero contextualizes the approach to studying indie rock before outlining some core examples from Big Feelings: Queer and Feminist Indie Rock After Riot Grrrl. Jump back in time to discuss the original indie music scene in the UK of the 1980s\, and how gendered dynamics obscured the contributions of indie pop at the time. Discover the lasting impact of this movement on younger generations\, where indie-pop languages mix together with a harder\, alt-rock sound associated in public consciousness with white/male pain.
URL:https://www.amsmusicology.org/calendar/indie-rock/
LOCATION:Rock & Roll Hall of Fame\, 1100 E 9th Street\, Cleveland\, OH\, 44114\, United States
CATEGORIES:AMS/Rock & Roll Hall of Fame Lecture
ORGANIZER;CN="American Musicological Society (AMS)":MAILTO:events@amsmusicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251002T190000
DTEND;TZID=America/New_York:20251002T190000
DTSTAMP:20260524T181510
CREATED:20250815T184334Z
LAST-MODIFIED:20250826T185447Z
UID:17501-1759431600-1759431600@www.amsmusicology.org
SUMMARY:The Golden Age of Latino Country: Ronstadt\, Fender\, and Rodriguez in the ’70s
DESCRIPTION:In 1972\, a half-century after the birth of commercial country music\, Billboard country charts posted the first hit single by a Latin artist\, a young Tejano named Johnny Rodriguez. Over the next twenty-one months three Mexican American artists\, Rodriguez\, Freddy Fender\, and Linda Ronstadt\, racked up seventeen Top 10 hits\, including ten at No. 1. These artists returned to the country charts throughout the ’70s and ’80s\, with solo records and sometimes collaborations. But the half-century since 1975 has seen only one Latin solo artist top the country charts: Rick Trevino in 1996. Perhaps relatedly\, recent research has identified an industry effort to build up country’s white image in the ’70s\, even as the genre enjoyed a rise in Black and Hispanic listenership. This lecture revisits the music and machinations of country’s 1970s Latino prime and considers this moment in the context of the hundred-year history of Mexican American involvements and contributions in country music. \nThis event will be held as part of the AMS/Rock and Roll Hall of Fame Lecture Series.
URL:https://www.amsmusicology.org/calendar/the-golden-age-of-latino-country/
LOCATION:Rock & Roll Hall of Fame\, 1100 E 9th Street\, Cleveland\, OH\, 44114\, United States
CATEGORIES:AMS/Rock & Roll Hall of Fame Lecture,Public Event
ORGANIZER;CN="American Musicological Society (AMS)":MAILTO:events@amsmusicology.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250313T190000
DTEND;TZID=America/New_York:20250313T190000
DTSTAMP:20260524T181510
CREATED:20250228T191026Z
LAST-MODIFIED:20250228T191026Z
UID:14498-1741892400-1741892400@www.amsmusicology.org
SUMMARY:“Vicariously Being There”: How The T.A.M.I. Show Invented the Concert Film
DESCRIPTION:Whether we’re watching Stop Making Sense for the 100th time\, catching The Eras Tour in a packed movie theater\, or tuning into Coachella live on YouTube\, today we take for granted that we can see live concerts recorded for screens big and small. But in the 1960s\, there was no set answer to the question of how to capture a concert on film\, or what to even do with such a product once it’s been made. \nIn 1964\, the concert film The T.A.M.I. Show gave young America a stunning answer\, showcasing on large movie screens an eclectic medley of performers including the Beach Boys\, the Rolling Stones\, the Supremes\, and an electrifying set by James Brown. The T.A.M.I. Show opened a path for more concert documentaries to be made and find their audiences\, but it was also a unique moment in American popular music history. Join Landon Palmer as he uncovers the curious story of The T.A.M.I. Show\, one that involves William Shakespeare\, strange television technologies\, and a very short-lived charity organization. In this talk\, he’ll explain how this movie came to exist and why there’s never been anything quite like it since. \nThis event will be held as part of the AMS Many Musics of America Project and the AMS/Rock & Roll Hall of Fame Lecture Series.
URL:https://www.amsmusicology.org/calendar/vicariously-being-there/
LOCATION:Rock & Roll Hall of Fame\, 1100 E 9th Street\, Cleveland\, OH\, 44114\, United States
CATEGORIES:AMS/Rock & Roll Hall of Fame Lecture
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240919T190000
DTEND;TZID=UTC:20240919T210000
DTSTAMP:20260524T181510
CREATED:20240401T180209Z
LAST-MODIFIED:20240824T151459Z
UID:318-1726772400-1726779600@www.amsmusicology.org
SUMMARY:AMS/RRHoF Lecture: What Is The Modern Rock 500? - Counting Down the Evolution of Modern/Indie Rock & Independent Radio - Robin James
DESCRIPTION:Every Memorial Day Weekend from 1989-2009\, and from 2023 until who knows when\, the Cincinnati-area independent (internet) radio stations WOXY and Inhailer broadcast a countdown of the top 500 songs in their library. Dubbed “The Modern Rock 500” in 1989 and renamed “The Indie 500” in 2024\, the chart’s contents can tell us a lot about what “modern rock” is and how it differs from alternative and indie. Doing a deep dive into each of the yearly countdowns\, Robin James will show how the countdown shifts from a pluralistic and “modern” approach to genre to a more guitar-oriented one that views the influence of non-rock genres like electronic dance music and reggae/dub as relics from the 20th century. The ongoing existence of the Modern Rock 500 as an institution has an even more important lesson for lovers and practitioners of independent media: as an institution that survived the closure of WOXY in 2010 only to be resurrected again by former WOXY staff and the crew at Inhailer.com\, The Modern Rock 500 both reveals the challenges indie media faces in an increasingly financialized industry\, and models some successful tactics one indie media institution has used to survive amid those challenges. \nFor more information\, visit https://tickets.rockhall.com/events/0182b120-9521-36c4-171c-967341dbaf4f
URL:https://www.amsmusicology.org/calendar/council-workshop-mission/
LOCATION:Rock & Roll Hall of Fame\, 1100 E 9th Street\, Cleveland\, OH\, 44114\, United States
CATEGORIES:AMS/Rock & Roll Hall of Fame Lecture,Lectures
ORGANIZER;CN="American Musicological Society (AMS)":MAILTO:events@amsmusicology.org
END:VEVENT
END:VCALENDAR